創傷、敘事及精神分析:以拉岡精神分析觀點再思梅爾維爾之《白鯨記》為創傷敘事

陳宥廷

doi:10.6342/NTU201700534

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创伤、叙事及精神分析:以拉冈精神分析观点再思梅尔维尔之《白鲸记》为创伤叙事

Trauma, Narrative, and Psychoanalysis: Rethinking Herman Melville’s Moby-Dick as a Trauma Narrative from the Perspective of Lacanian Psychoanalysis

陈宥廷 , 博士　　导师：黄宗慧　　共同指导教授：沈志中

英文 DOI： 10.6342/NTU201700534

创伤叙事；拉冈；真实；小对形；观看； trauma narrative ； Jacques Lacan ； the real ； the object a ； the gaze

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摘要 │ 参考文献 (106) │ 国际计量

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In this thesis, I aim to reconsider Herman Melville’s Moby-Dick as a trauma narrative, especially from the perspective of Jacques Lacan’s psychoanalytic insights.  I argue that both the narrative structure and the narrative strategy—two problems that concern the Melvillean scholars most regarding this novel—are intimately related to trauma.  Rethinking the nature of trauma through psychoanalytic concepts such as the real and the object a, in my view, affords an alternative interpretation of the cetological chapters which do not seem to serve the purpose of the survival tale told by the narrator.  Meanwhile, it offers a revealing perspective on why he narrates in such a roundabout and circuitous way.
The thesis consists of three chapters.  In the first chapter, I revisit the problem of narrative identity, with a special interest in retrieving the survivor’s life after the shipwreck.  I maintain that the compulsive behavior observed there finds its way into the narrative.  To advance our understanding of this behavior, I move on to investigate how the concept of the compulsion to repeat is analyzed in psychoanalysis, with an aim of examining how Lacan reformulates this concept and bears it on trauma.  Trauma, as Lacan characterizes, is the missed encounter with the real.  The subsequent chapter is devoted to exploring how this missed encounter produces a traumatic residue which functions like the Lacanian concept of the object a.  This special object appears in the form of the whale and becomes an object of obsession both in the survivor’s life and in his narrative.  And I argue it is in his narrative that we see a full display of the unconscious desire to capture, or to represent, the object a as the gaze.  In the final chapter, I set out to dissect the elaborate signifying practice the narrator deploys with a view to not only capturing the whale in his mind but also subjugating the object a to the signifying chain.  What incurs is a battle between the eye and the gaze, and what confront the narrator at the end of his narration are the annihilating effects of the gaze.  To conclude this thesis, I reflect on how the narrative can be regarded as both a personal tragedy and a universal experience.

参考文献 ( 106 ) 〈TOP〉

Attridge, Derek. “Language as History/History as Language: Saussure and the Romance of Etymology.” Post-Structuralism and the Question of History. Ed. Derek Attridge, Geoff Bennington, and Robert Young. London: Cambridge, 1987. 183-211.
连结：
Barbour, James. “The Composition of Moby-Dick.” American Literature 47.3 (1975): 343-60.
连结：
Barthes, Roland. Mythologies. 1957. Trans. Annette Lavers. New York: Noonday P, 1989.
连结：
Brodhead, Richard H. “Trying All Things: An Introduction to Moby-Dick.” New Essays on Moby-Dick. Ed. Richard H. Brodhead. Cambridge: Cambridge UP, 1986. 1-21.
连结：
Brodtkorb, Paul, Jr. Ishmael’s White World: A Phenomenological Reading of Moby Dick. New Haven and London: Yale UP, 1965.
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使用DOI作为永久连结

引用含有DOI的文献

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。 如想对DOI的使用与概念有进一步了解，请参考 （ ） 。

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。如想对DOI的使用与概念有进一步了解，请参考（）。