費茲傑羅《大亨小傳》中的階級、資本和名流文化

張簡新禾

doi:10.6342/NTU201602703

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费兹杰罗《大亨小传》中的阶级、资本和名流文化

Class, Forms of Capital, and Celebrity Culture in F. Scott Fitzgerald’s The Great Gatsby

张简新禾 , 硕士　　导师：李欣颖　　

英文 DOI： 10.6342/NTU201602703

费兹杰罗；大亨小传；布迪厄；阶级；资本；名流； Fitzgerald ； The Great Gatsby ； Bourdieu ； class ； capital ； celebrity

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摘要 │ 参考文献 (21) │ 国际计量

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This thesis aims to examine social mobility and the impacts of celebrity culture on social class in F. Scott Fitzgerald’s The Great Gatsby through Pierre Bourdieu’s theory of forms of capital. The French Sociologist Pierre Bourdieu illustrates in his theory how individual social position is determined by several forms of capital instead of by economic capital alone, and he offers a systematic theory to illustrate how classes are constructed and reproduced in a subtle process.

Bourdieu’s discussion of different forms of capital enables a study of why Gatsby fails in his attempt to be a member of the upper class. Since what Gatsby lacks is not economic capital, I intend to argue that Gatsby’s insufficient cultural capital, symbolic capital, and social capital are the central causes for the upper class to deny his access to the class and to reject a permanent relationship with him. Bourdieu’s theory offers a lens to examine impacts of forms of capital on other characters’ judgments of Gatsby.

Besides studying how the forms of capital Gatsby owns or lacks define him and his relationship with other characters, I will also explore if the formation of celebrity culture has any effects on Gatsby’s understanding of the class structure and further on the ideal self that he pictures. This thesis will investigate the relationship between the social structure in the twenties in the United States and the accomplishment Gatsby aims to achieve in order to figure out the key cause to his tragedy. Also, I attempt to suggest that the 1920s America is a significant historical background in which Gatsby’s failure is almost inevitable.

参考文献 ( 21 ) 〈TOP〉

Alberoni, Francesco. “The Powerless ‘Elite’: Theory and Sociology Research on the Phenomenon of the Stars.” The Celebrity Culture Reader. Ed. P. David Marshall. NY: Routledge, 2006. 108-23. Print.
连结：
Berman, Ronald. “The Great Gatsby and the Twenties.” The Cambridge Companion to F. Scott Fitzgerald. Ed. Ruth Prigozy. Cambridge: Cambridge UP, 2002. 79-94. Print.
连结：
Lukacs, John. “The Great Gatsby? Yes, a Historical Novel.” Novel History: Historians and Novelists Confront America’s Past and Each Other. Ed. Mark C. Carnes. New York: Simon & Schuster, 2001. 235-44. Print.
连结：
McDonald, Jarom Lyle. Sports, Narrative, and Nation in the Fiction of F. Scott Fitzgerald. NY: Routledge, 2007. Print.
连结：
Mcmullen, Bonnie Shannon. “This Tremendous Detail.” A Distant Drummer: Foreign Perspectives on F. Scott Fitzgerald. Ed. Jamal Assadi and William Freedman. NY: Peter Lang, 2007. 11-28. Print.
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使用DOI作为永久连结

引用含有DOI的文献

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。 如想对DOI的使用与概念有进一步了解，请参考 （ ） 。

DOI可强化引用精确性、增强学术圈连结，并给予使用者跨平台的良好使用经验，目前在全世界已有超过五千万个对象申请DOI。如想对DOI的使用与概念有进一步了解，请参考（）。