知識消費、教化娛樂與微物崇拜－論《小說月報》與王蘊章的雜誌編輯事業

胡曉真

doi:10.6353/BIMHAS.200603.0055

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P55 - 89

人文学 > 历史学

DOI： 10.6353/BIMHAS

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知识消费、教化娱乐与微物崇拜－论《小说月报》与王蕴章的杂志编辑事业

Consuming Knowledge, Educating through Entertainment, and the Cult of ＂Small Things＂: A Study of Xiaoshuo Yuebao (Short Story Magazine) in Its Early Years and the Magazine's Founding Editor

胡晓真(Hu Siao-chen)

近代史研究所集刊； 51 期 (2006 / 03 / 01) ， P55 - 89

繁体中文 DOI： 10.6353/BIMHAS.200603.0055

《小说月报》；王蕴章；微物；旧派；传统派； Xiaowshuo yuebao ； Wang Yunzhang ； small things ； Old School of early Republican period

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摘要 │ 参考文献 (23) │ 被引用文献 (4) │ 国际计量

摘要〈TOP〉

并列摘要〈TOP〉

Studies of modem Chinese literature have not paid enough attention to Wang Yunzhang (1884-1942), an important writer and editor in the first twenty years of the twentieth century. As an active figure in the literary field, Wang was recruited by the Commercial Press and served as the founding editor for two of the press' major magazines, Xiaoshuo yuebao (Short Story Magazine) and Funu zazhi (The Ladies' Journal). The two magazines not only had the same founding editor, but also went through almost identical transformations in the aftermath of the May Fourth Movement when Wang, who stood for the ＂Old School,＂ gave way to new editors from the ＂New School.＂ In the construction of the history of modem Chinese literature, this process of reformation has been defined as a cultural battle between the Old and the New schools. As a result of this interpretation, the contribution to modem literature made by Wang Yunzhang, who lost this supposed war, is inadequately credited. Recently, some scholars have begun to reevaluate the accomplishments of Xiaoshuo ' yuebao before the reformation, and further to acknowledge Wang Yunzhang's literary vision. In this paper, however, I do not intend to reassess Wang's career. Rather, I attempt to understand precisely how Wang, as a traditional scholar and writer who was experiencing the decline of old and familiar cultural conventions, pursued the goals of ＂collecting and compiling old information, imbuing people with modem knowledge, and promoting common sense＂-the goals he announced as editor in the first issue of the magazine. As the Commercial Press took profit and enlightenment as its goals, Wang Yunzhang also tried to design his magazine to be a vehicle for popular education in the form of a periodic encyclopedia. This was done by the design of columns, the selection of works, and the format and layout of the magazine. In short, Xiaoshuo yuebao marks the convergence of modem consumption of knowledge and traditional education through entertainment. It also reveals Wang's cultural taste, which was not only nostalgic but centered on the ＂small things＂ of the elite literati culture.

参考文献 ( 23 ) 〈TOP〉

丘为君(2004)。第一届近代中国思想与制度学术研讨会。
连结：
胡晓真(2004)。文苑、多罗与华鬘─王蕴章主编时期（1915-1920）《妇女杂志》中「女性文学」的观念与实践。近代中国妇女史研究，12
连结：
(1919)。小说月报
Burke、 Peter(1978).Popular Culture in Early Modern Europe, 1500-1800.
Gimpel, Denise(2001).Lost Voices of Modernity: A Chinese Popular Fiction Magazine in Context.

被引用文献 ( 4 ) 〈TOP〉

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