题名

布萊希特的史詩劇場與中國平劇在表演「疏離」美學方面之比較

并列篇名

To Be and Not to Be: The Aesthetics of ＂Alienation Effect＂ in Brechtian Epic Acting and Chinese Acting

DOI

10.6637/CWLQ.2000.29(3).140-157

作者

朱靜美(Vivian Ching-Mei Chu)

关键词
期刊名称

中外文學

卷期/出版年月

29卷3期（2000 / 08 / 01）

页次

140 - 157

内容语文

繁體中文
主题分类 人文學 > 中國文學
人文學 > 外國文學
参考文献
  1. Bishop, Philip E.(1986).Brecht, Hegel, Lacan: Brecht's Theory of Gest and the Problem of the Subject.Studies in Twentieth Century Literature,10(2),267-288.
  2. Brecht、 Bertolt(1964).Brecht on Theatre: The Development of an Aesthetics.
  3. Chang, Kuo-Cheng(1987).Tan Chian Review.
  4. Harrop, John(1982).Acting with Style.
  5. Hayman, Ronald(1983).Brecht: A Biography.
  6. Hsu, Tao-Ching(1985).The Chinese Conception of the Theatre.
  7. Hu, Ji(1989).Kunqu Fa Zhan Shi.
  8. Huang, Zuo-Lin(1982).Brecht and East Asian Theatre.
  9. Kiebuzinska, Christine(1990).Revolutionaries in the Theatre: Meyerhold, Brecht, and Witkiewicz.
  10. Mitter, Shomit(1992).Sytems of Rehearsal: Stanislavski, Brecht, Grotowski, and Brook.
  11. Needle, Jan(1981).Brecht.
  12. Rouse, John(1989).Brecht and the West German Theatre: The Practice and Politics of Interpretation.
  13. Weber, Carl(1967).Brecht as Director.The Drama Review,12(1),103.
  14. Weideli, Walter(1963).The Art of Bertolt Brecht.
  15. Wiles, Timothy J.(1980).The Theatre Event.
  16. Willett, John(1959).The Theatre of Bertolt Brecht: A Study from Eight Aspects.
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