意識、身體與物件之間的私密絮語：理查佛曼的失衡弔詭劇場美學

Acting Out among Unconscious, Body, and Objects: Richard Foreman's Aesthetics of Unbalancing

10.6637/CWLQ.2001.29(12).85-107

張靄珠(Ivy j-Chu Chang)

中外文學

29卷12期（2001 / 05 / 01）

85 - 107

繁體中文

1. (1996).The Theatre of Images.
2. Baudrillard、 Jean(1990).Revenge of the Crystal: Selected Writings onf the Modern Objest and Its Destiny, 1968-1983.
3. Baudrillard、 Jean(1990).Fatal Strategies.
4. Berstein, Charles(1992).A Conversation with Richard Foreman.The Drama Review,36(3),104-130.
5. Davy, Kate(1981).Richard Foreman and the Ontological-Hysteric Theatre.
6. Foreman, Richard(1985).Reverberation Machines: The Later Plays and Essays.
7. Foreman, Richard(1992).Unbalancing Acts.
8. Foreman, Richard(1996).Bonne Marrance.
9. Foreman, Richard(1976).Richard Foreman Plays and Manifestos.
10. Freud、 Sigmund(1979).Dora: An Analysis of a Case of Hysteria.
11. Innes, Christopher(1993).Avant Garde Theatre 1892-1992.
12. Kirby, Michael(1973).Richard Foreman's Ontological Hysteric Theatre.The Drama Review,17(2),5-32.
13. Langer, Monika M.(1989).Merleau-Ponty's Phenomenology of Perception.
14. Merleau-Ponty、 Maurice(1964).Sense and Non-Sense.
15. Merleau-Ponty、 Maurice(1962).Phenomenology of Perception.
16. Munk, Erika(1987).Film is Ego: Radio Is God: Richard Foreman and the Arts of control.The Drama Review,31(4),143-148.
17. Roose-Evans, James(1973).Experimental Theatre From Stanislavsky to Today.
18. Schechner, Richard(1987).Richard Foreman on Richard Foreman : An Interview.The Drama Review,31(4),125-135.
19. Schechner, Richard(1987).Talking With Kate Manheim: Unpeeling a Few Layers: An Interview.The Drama Review,31(4),136-142.
20. Shank, Theodore(1982).American Alternative Theatre.
21. 汪文聖(1995)。胡塞爾與海德洛。
22. 龔卓軍(1998)。身體與想像的辯證：從尼采到梅洛龐蒂。中外文學，26(11)=311，10-50。

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