洛杉磯世紀末災變之戲劇再現與自然／文化斷層之交錯：以獨角戲《日暮洛城1992》及歌劇《觀頂見日》為例

Representing Natural and Cultural Fault Lines in Millennial LA Catastrophes: Twilight: Los Angeles, 1992 and I Was Looking at the Ceiling and Then I Saw the Sky

10.6637/CWLQ.2002.30(9).151-174

王寶祥(Pao-Hsiang Wang)

洛杉磯 ； 災難的想像 ； 戲劇 ； 歌劇 ； 安娜德維史密斯 ； 瓊喬丹 ； 約翰亞當斯

中外文學

30卷9期（2002 / 02 / 01）

151 - 174

繁體中文

洛杉磯既生產烏托邦的夢工廠又製造族群衝突的災難想像。本文由此雙面性格切入，探討洛城二十世紀末兩次重大天災與人禍的戲劇再現：一是以布萊希特式敘事的報導風格紀錄92年洛城族群階級暴動的獨角戲《日暮洛城》，另一為以歌舞劇風格來呈現94年北嶺大地震的歌劇《觀頂見日》。災難帶來的創傷透過戲劇再現一方面或致撫平的機會，另一方面也帶來跨越雜駁的膚色疆界的契機。

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