中文摘要
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本論文以廣島原爆為主題,探討創傷與災難記憶、歷史與文學見證間的辯證關係,從精神分析創傷理論出發,輔以Caruth、LaCapra、Casey、Herman等人的創傷/記憶/復原論述,分析包括莒哈絲與雷奈合作的《廣島之戀》(MargueriteDuras and Alain Renais, Hiroshima mon amour, 1959/ 1960)席爾柯的《儀式》(Leslie Marmon Silko, Ceremony, 1977)以及井伏鱒二的《黑雨》(Ibuse Masuji,《黑の雨》Kuroi Ame,1966)在內的三個書寫廣島災難的文本,再現來自不同國度的文學作品中的歷史創傷、記憶與失憶,既鋪陳潛意識記憶之傳會與展演,也嘗試建構安頓心創、療傷復原的契據。
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