英文摘要
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This article analyzes, from the perspective of Georges Bataille's notion of transgression, the transgessive nature of Pietro Aretino's two celebrated erotic works: Sonetti lussuriosi (1524/25) and Ragionamento (1534/36). As the "Father of Modern Pornography," Aretino is the first professional/erotic writer catering to the market and to the taste of the general public. Writing erotica for the general public itself is already a transgressive gesture which defies the taboos of Catholic Church. Furthermore, in his writings of prostitutes (porno-graphies), Aretino uses prostitutes, who, as the social critique par excellence, share the same fate as writers, as a vehicle for his anti-clericalism as well as a social critique of Renaissance Italy.
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