英文摘要
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In the literary world of France, the impact of Marquis de Sade's works has long held sway. Sade is undeniably the pioneer in the writings on perverse behavior, and only much later did Sigmund Freud appear. Sade's perverse fantasy is something beyond imaginary: an unfaltering willpower seems to stand behind the fantasy. Jacques Lacan's reading of Sade, however, is an attempt to probe for the "rational" base behind such obscure force. For Lacan, Sade's "La philosophie dans le boudoir" is itself a rational assertion written in response to Immanuel Kant's "Critique of Practical Reason". Sade goes even further to supplement and illustrate the truth of rationality, thus making his book completely and innovatively subversive. Thus, in his psychoanalytic study of "desire," Lacan puts Sade and Kant together instead of Freud. His assigning Sade as the successor of Kant as well as the critical turning point of traditional ethics has led psychoanalysis, as a result, on the road to a subversion of ethics. Before Lacan, the experiences and works of Sade were never weighed and considered in an ethical light. This paper traces Lacan's reading of Sade together with Kant by inspecting their symbiotic relationship, the connection between moral principles and jouissance, and finally the mystic analogy between Sade's "second death" and Freud's "death drive."
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