英文摘要
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Xi Xi’s My City, published in 1975, is a classic in Hong Kong Literature. My City takes city as the subjectivity of place, but how the sense of "my city" was shaped in Xi Xi's writings before the 1970s has not been examined to date. Xi Xi published a short story titled "Hong Kong.My Love" in 1968, which was inspired by the famous movie Hiroshima Mon Amour. This paper first makes use of "intentionality," the essence of place in phenomenology, to discuss how the movie criticizes its reality through sound-and-screen editing. This paper shows that "Hong Kong.My Love" borrows the technique of reconstructing place through the narrative voice adopted in the movie, but emphasizes the illustration of the subject's consciousness. Facing the urban development of Hong Kong in late 1960s, the narrator in the novel invokes the memory of living with his family. A relationship between self and space is then reconnected, as the existence of experience is regarded as the intentionality of place. By highlighting the family memory as a migration experience, the novel extends the space across time, as an emotional reference to identify the new urban space. The intentionality of place also helps to relieve the negative values of the past in the social collective experience of Hong Kong since 1950s. "Hong Kong.My Love" identifies the developing city as place, by means of the southward migration experience and the emotions of the young generation in postwar Hong Kong. This unique way of constructing local consciousness is both significant and irreplaceable in the history of Hong Kong Literature.
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