英文摘要
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This paper first reviews discussions about artworks, thingness, and objecthood within the context of modern arts and philosophy. It then employs Graham Harman's concept of the art object to advance debates about the things that are in artworks. Such things contain something which exists beyond human perception, is hidden and occult, and yet does not belong to the artwork at the same time. They may be things that do not even relate to the audience. From this perspective, this paper conducts textual analysis and selects the texts from recent movies, mass entertainment, and urban legends. These include cultural relics and artworks that are used to construct horrific rumors about the supernatural. Additionally, this study explores the relationship between the exhibition space and horror art to probe how the act of viewing within deviates from existing aesthetics and display. This paper also dissects the relationship between viewers and artworks in the game of Horror Museum and the movie Night at the Museum, explicating how viewers are forced to enter the dimension of non-art or even non-thing/non-object. Finally, this paper reflects on the current popular discussions which focus too much on historical specters and overemphasize entanglements. It aims to provide an alternative understanding about specters and, thus, a different path for artistic practices and imagination.
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