德布西式風格的歸屬性問題－班雅明寓言美學觀點下的新藝術動機

What is the Nature of Debussysme? An Answer in the Three Art Nouveau Motivations in Walter Benjamin's Allegorical Aesthetics

10.29732/SJPS.200602.0004

葉文傑(Wen-Chieh Yeh)

新藝術 ； 班雅明 ； 德布西式風格 ； 寓言 ； Art Nouveau ； Benjamin ； Debussysme ； Allegory

東吳哲學學報

13期（2006 / 02 / 01）

89 - 120

繁體中文

本文試圖從班雅明歷史唯物論的寓言美學觀點所考察的三個新藝術動機：僧侶、倒置與解放為線索，找尋潛藏在德布西式風格中的新藝術元素。以德布西式風格的歸屬性、班雅明的新藝術動機與德布西音樂中的新藝術元素三個部分為論證，重估德布西式風格的歸屬性議題。目的不在確切提供這個難解問題的一個最終答案，而是就寓言美學的觀點，回顧世紀末音樂風格轉向的議題，從法國「新藝術」運動這個整體藝術網絡來理解德布西音樂語法的歷史性意涵。

This paper explores the Art Nouveau elements implicit in Debussysme in light of the three Art Nouveau motivations in the allegorical aethetics of Benjamin's historical materialism: hieratic, perversion, and emancipation. By examining 1) the nature of Debussysme, 2) Benjamin's three Art Nouveau motivations, and 3) the Art Nouveau elements in Debussy's music, this paper reevaluates the nature of Debussysme in light of Benjamin's aesthetic theory. At the same time, the goal of this paper does not lie in offering a final answer to this most perplexing question, but rather in applying the perspective of allegorical aethetics in reevaluating the style of music at the end of the nineteenth century, thereby reaching an understanding of the historical meaning of Debussy's musical language in light of the overall French Art Nouveau movement of the day.

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