英文摘要
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Contemporary ”Sang-shu” (尚書) research, affected by the scientific spirit and method emphasized by scholars from the beginning of the Republican period, has tended to focus on the fruits of bian-wei (辨偽). This has unfortunately led to a relative ignorance of the possible diversity present in late Qing dynasty ”Sang-shu” studies, especially the works concerning bian-zhen (辨真), which take the opposite view of bian-wei. To approach this lack in scholarship, this paper attempts to return to the background of the Qing intellectual environment to observe the development of ”Sang-shu” studies. I take Hong Liang-pin's (洪良品) works as my main example since they were completed later and integrate numerous materials. I then compare them with bian-wei works. In this way, I hope to break through the recent views of Qing dynasty ”Sang-shu” studies, and see its development from a wider angle to provide a new point of view from which to observe the bian-zhen and bian-wei debate. Together this will help us better construct and understand Qing intellectual history.
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