《玉臺新詠》趙氏覆宋本系統諸版本略說

The Editions in Zhao Jun's Editing System of the ＂New Songs from the Jade Terrace＂

10.6281/NTUCL.2014.09.46.04

傅剛(Gang Fu)

《玉臺新詠》 ； 趙均 ； 二馮 ； 吳兆宜 ； 徐乃昌 ； ＂New Songs from the Jade Terrace＂ ； Zhao Jun ； the Feng brothers ； Wu Zhao-Yi ； Xu Nai-Chang

臺大中文學報

46期（2014 / 09 / 01）

143 - 175

繁體中文

本文主要討論明末趙均覆宋陳玉父本《玉臺新詠》之後，清代出現的幾種趙本系統的校、注、考異本，主要有：趙均覆宋本、二馮（馮舒、馮班）校本、吳兆宜注、程琰刪本、《四庫全書》本、徐乃昌刻本。經過研究，這幾種版本均存在問題，主要是：一、現存傳世的趙氏覆宋本有初刻初印和修板重印及補板後印的區別，根據我們大致的調查，起碼有可分為三種類型印本。初刻本與補修本的文字有不同。故此我們使用趙氏覆宋本時，必須要慎重，並有所交待。二、二馮校本校語中所提的宋本，往往與趙氏本合，而非其所抄的宋陳玉父本。三、《四庫全書》本，其底本亦為趙氏覆宋本，而非紀昀所說宋陳玉父本。又，現今傳世的文淵閣和文津閣本，二本歧異甚多，使用時必須有區別。四、吳兆宜注本有初注和後注區別。初注本的底本用明通行本，後注本則據趙氏本，故今所見之後注本中往往留有明本的特徵。又，吳本未曾刊刻，後程琰刪補合吳本一起刊刻，但程氏對吳本作了刪節，故吳本原有體例已不甚明。五、徐乃昌影刻趙本，底本系趙均覆宋本的第二次印本，即初刻修字印本，與現在所見藏於北京大學圖書館的徐乃昌舊藏本不同。北京大學圖書館所藏徐乃昌舊藏本系趙均覆宋本的第三次印本，即補板後印本。學術界往往誤以為此本即徐乃昌刻本的底本，至於徐乃昌刻本出現與此本不同的地方，學術界誤判為徐乃昌校刻所致。其實徐乃昌刻本所據底本並非他的這個藏本，而是全據趙均覆宋本的第二次印本影刻，徐氏對底本沒有作校改。

The article studies the editions in Zhao Jun's editing system of the ＂New Songs from the Jade Terrace.＂ The system starts with the edition that Ming Dynasty Zhao Jun reprints from Song Dynasty Chen Yu-Fu's edition. Many editions of this system are published in the Qing Dynasty: Zhao Jun's reprint edition, Feng brothers' proofread edition, Wu Zhao-Yi's annotated edition, Cheng Yan's abridged edition, the ＂Complete Library of the Four Treasuries＂ edition, and Xu Nai-Chang's woodblock print edition. All these editions have problems, as listed below: 1. There are three versions of Zhao Jun's reprint edition: the first version; the second version, printed after repair of the first version's printing plate; and the third edition, reprinted after supplement to the second version's printing plate. It is necessary to clarify and mention which version is used when using them. 2. The ＂Song edition＂ mentioned in the proofread edition of the Feng Brothers-Feng Shu and Feng Ban-does not refer to the edition they copy from: the Song Dynasty Chen Yu-Fu's edition, but Zhao Jun's reprint edition. 3. The original edition of the ＂Complete Library of the Four Treasuries＂ edition is also Zhao Jun's edition, not Chen Yu-Fu's edition as Ji Yun says. There are a lot of differences between the Wen-Yuan Chamber edition and the Wen-Jin Chamber edition, so which one of the two editions is being used should be specified. 4. Wu Zhao-Yi's annotated edition includes two versions. The book that Wu annotates later is Zhao Jun's reprint edition while the one that Wu first annotates is the edition most common in the Ming Dynasty, so the later one has some of Ming common edition’s features. Wu's annotated edition has never been printed. Cheng Yan abridges it before compiling it into his abridged edition, so its original appearance can never be seen now. 5. Xu Nai-Chang's woodblock print edition is based on the second version of Zhao's edition, while the book that Xu has collected and the Peking University Library collects now is the third version of Zhao's edition. However, it is often mistakenly thought in Chinese academic circles that Zhao's second version is the basis of Xu's woodblock print edition, and that the differences between Zhao's second version and Xu's woodblock print edition are Xu's mistakes when he reprints the book. Xu does not modify the content of Zhao's second version when making the woodblock print edition from it.

1. 《玉臺新詠》：徐乃昌舊藏趙氏刻本，今藏北京大學圖書館，補板後印本
2. 《玉臺新詠》：吳兆宜注稿本，存卷第九、第十兩卷，紀昀舊藏，今藏臺灣中央圖書館
3. 玉臺新詠。國家圖書館出版社。
4. 傅璇琮：〈文津閣《四庫全書》的文獻價值〉，《中華讀書報》（2003 年8月13 日）
5. 《玉臺新詠》：吳兆宜注、程琰刪本，清乾隆三十九年稻香樓刻本，據北京大學圖書館藏本
6. 清•紀容舒：《玉臺新詠考異》，《畿輔叢書》本，北京大學圖書館藏本
7. (1989)。文淵閣《四庫全書》。上海:上海古籍出版社。
8. (2005)。文淵閣《四庫全書》。臺北:臺灣商務印書館。
9. 《玉臺新詠》：徐乃昌影刻趙氏本，北京大學圖書館藏
10. 林夕(1997)。明寒山趙氏小宛堂刻《玉臺新詠》版本之謎。讀書，1997(7)，145-148。
11. 傅剛(2004)。《玉臺新詠》版本補錄。文史，2004(3)，149-169。
12. 傅剛(2013)。《四庫全書》所收《玉臺新詠》底本非宋本考。中國典籍與文化，2013(2)，83-91。
13. 傅剛(2013)。《玉臺新詠》趙氏覆宋本的刊印。文獻，2013(4)，38-54。
14. 馮舒校、馮班校、馮鼇刻。續修四庫全書。
15. 劉躍進(2000)。玉臺新詠研究。北京:中華書局。
16. 齋藤希史(1997)。玉臺新詠箋注攷。奈良女子大學文學部研究年報，41
17. 魏隱儒(1984)。古籍版本鑒定叢談。北京:印刷工業出版社。