與畫報共生：《續海上繁華夢》與二十世紀初跨媒介小說的興起

Playing with the Pictorial: The Illustrated Sequel to the Dreams of Shanghai Splendor and the Emergence of the Intermedial Novel in the Early 20th-Century

10.6281/NTUCL.202103_(72).0005

楊中薇(Yang, Chung-Wei)

連載機制 ； 報刊研究 ； 平行閱讀 ； 變動的同時性 ； 內在時空序列性 ； seriality ； periodical studies ； horizontal reading ； simultaneity ； internal time-spatial sequence

臺大中文學報

72期（2021 / 03 / 01）

191 - 193+195-244

繁體中文

透過晚清小說家孫玉聲的連載小說《續海上繁華夢》與其所刊登的《圖畫日報》，我將從過去討論連載小說的焦點――小說家如何被動因應連載機制來調整自己的小說結構――轉移到小說家如何主動「挑戰」連載機制，來設計自己的小說。我首先指出晚清小說家如何以讀者的報刊閱讀經驗作為考量，試圖融合調動小說情節和刊登報刊的各種媒介，以挑戰連載機制所施加的物質性限制，如短小的篇幅、快速的出版節奏。我也將討論小說由此而形成的新的時間結構，是如何前所未有地不同於傳統小說僅以情節本身為考量的封閉書寫方式所賦予的時間結構。二十世紀初的上海是一個建構中的城市，與有深厚文本累積的經典地景不同，我將說明小說家如何具創造性地利用報刊的連載機制，準確地模擬上海城市持續發展的進行式狀態。

By examining the late Qing novelist Sun Yusheng's installment novel, Illustrated sequel to the dreams of Shanghai splendor, and the Pictorial daily in which the novel was serialized, I demonstrate how the novelists of the 1910s challenged the mechanics of serialization. Previous research discussed the ways in which these novelists passively adapted the structure of their work to the restrictions of serialization (e.g. limited length and publishing time); however, I argue that there were also novelists who revealed agency and creativity by breaking through the limitations of the installment novel medium. Sun Yusheng is an ideal example, as he incorporated pictorial-style news, advertisements, and even introductions to Shanghai's new architecture and celebrities, in the plot of his novel. His design opened up a new way of imagining serialization, and created a unique narrative structure for serialized novels. Early 20^(th)-century Shanghai was a city in progress, distinct from the depictions of well-known urban centers in classic texts, which could only be fully captured in an unprecedented type of literary genre. Sun Yusheng and his novel demonstrate how the mechanics of serialization can be manipulated as a means of simulating the present-progressive tense of the city of Shanghai.

1. 商偉, W.(2018)。題寫名勝：從黃鶴樓到鳳凰臺。2016王夢鷗教授學術講座演講集，臺北=Taipei:
   連結：
2. 陳春燕(2015)。從新媒體研究看文學與傳介問題。英美文學評論，27
   連結：
3. 《世界繁華報》（微卷），原藏地上海圖書館，暨南大學圖書館藏，1901-1907年。Shijie fanhua bao [Newspaper of world splendor (1901-1907)]. A microfilm copy from Jinan University Library. (Original work published in the late Qing dynasty)
4. 《笑林報》（微卷），原藏地上海圖書館，暨南大學圖書館藏，1901-1910年。Duan, Y.-S. (1901-1910). Xiao lin bao. A microfilm copy from Jinan University Library. (Original work published in the late Qing dynasty)
5. (1982).申報.上海:上海書店.
6. Allen, Rob(ed.),van den Berg, Thijs(ed.)(2014).Serialization in Popular Culture.Oxfordshire United Kingdom:Routledge.
7. Anderson, Benedict(2006).Imagined Communities: Reflections on the Origin and Spread of Nationalism.New York:Verso.
8. Bakhtin, Mikhail Mikhailovich(1981).The Dialogic Imagination: Four Essays,Austin:
9. Des Forges, Alexander(2007).Mediasphere Shanghai: The Aesthetics of Cultural Production.Honolulu:University of Hawaii Press.
10. Hayles, N. Katherine(2002).Writing Machines.Cambridge:MIT Press.
11. Judge, Joan(2015).Republican Lens: Gender, Visuality, and Experience in the Early Chinese Periodical Press.California Oakland:University of California Press.
12. Keymer, Tom(2000).Reading Time in Serial Fiction Before Dickens.Time and Narrative,30
13. Prusek, Jaroslav(1980).The Lyrical and the Epic: Studies of Modern Chinese Literature.Bloomington:Indiana University Press.
14. Yeh, Catherine Vance(2006).Shanghai Love: Courtesans, Intellectuals, and Entertainment Culture, 1850-1910.Seattle:University of Washington Press.
15. Zeitlin, Judith T.(ed.),Liu, Lydia(ed.)Widmer, Ellen(ed.)(2003).Writing and Materiality in China: Essays I Honor of Patrick Hanan,Cambridge:
16. 王德威, D.-W.(2003).被壓抑的現代─晚清小說新論.臺北=Taipei:麥田出版社=Rye-Field Publisher.
17. 呂文翠(2012)。冶遊、城市記憶與文化傳繹：以王韜與成島柳北為中心。中國文化研究所學報，54
18. 李順興(1976)。觀望存疑或一「網」打盡：網路文學的定義問題。台灣歷史與文學研習專輯，臺北:
19. 段懷清, H.-Q.(2013).清末民初報人─小說家：海上漱石生研究.臺北=Taipei:獨立作家=Independent Writer Publisher.
20. 海上漱石生(1991).海上繁華夢（附續夢）.上海=Shanghai:上海古籍出版社=Shanghai Guji Publisher.
21. 祝均宙, J.-Z.(2013).圖鑑百年文獻：晚清民國年間小報源流特點探究.新北=New Taipei City:華藝學術出版社=Huayi Academic Publisher.
22. 商偉,王翎（譯）(2011)。日常生活世界的形成與建構：《金瓶梅詞話》與日用類書。國際漢學，21
23. 梅朋, CharlesB.,傅立德, Jean,倪靜蘭（譯）(2010).上海法國租界史.南京:江蘇教育出版社.
24. 陳平原, P.-Y.(1988).中國小說敘事模式的轉變.上海=Shanghai:上海人民出版社=Shanghai Renmin Publisher.
25. 湛曉白(2013).時間的社會文化史：近代中國時間制度與觀念變遷研究.南京:社會科學文獻出版社.
26. 環球社編輯部（編）(1999).圖畫日報.上海=Shanghai:上海古籍出版社=Shanghai Guji Publisher.
27. 釋恆清(1989)。大乘起信論中的心性論。國立臺灣大學哲學論評，12
28. 黨月異(2014).王韜與中國近代文學的轉型.北京:中國社會科學出版社.
29. 蘭陵笑笑生=Lanlin Xiaoxiaosheng(2011).金瓶梅詞話.臺北=Taipei:里仁書局=Liren Bookstore.