音樂現代主義、停滯感，與《春之祭》

Musical Modernism, Stasis, and "The Rite of Spring"

10.6258/bcla.2004.61.03

王育雯(Yuh-Wen Wang)

《春之祭》 ； 史特拉汶斯基 ； 停滯感 ； 推進 ； 連貫性 ； 秩序感 ； 完形心理學 ； "The Rite of Spring" ； Stravinsky ； stasis ； progression ； continuity ； order ； Gestalt psychology

臺大文史哲學報

61期（2004 / 11 / 01）

53 - 102

繁體中文

史特拉汶斯基（Igor Stravinsky）被視為音樂「現代主義」的主要作曲家之一。不少學者也將他的《春之祭》這部作品視為「現代主義」的一部重要代表作;這樣看法的一個主要原因，是其中所謂的「停滯不前」（stasis）之特質。這種特質，又往往與史氏音樂的「不連貫」、「片段性」（fragmentation）相提並論。然而，也有一些學者不贊同「停滯不前」是史氏音樂的特質，並在史氏的其它作品中，指出其前後連貫性或向前邁進的現象。只是一直尚未見到明確的解說，能夠闡釋《春之祭》如何具有向前邁進的動力或推進力（momentum, progression），而非以停滯不前作為其前後組織的邏輯基礎。本文即在藉由詳盡的分析，指出在此作品的各樂章中，推進力如何行塑，如何表現，以及其變化的過程，特別是在節奏、節拍、以及小單元組成（cellular grouping）等層面上的再現與變化。藉由這個分析，本研究冀望指出以「停滯不前」作為音樂的「現代主義」之基礎所呈現的問題。

Igor Stravinsky is regarded as a highly important composer in musical modernism. His monumental work ”The Rite of Spring” is considered one of the representative works of musical modernism on the basis of its ”stasis,” which is often associated with the qualities of discontinuity and fragmentation. Yet is stasis truly a major quality of ”The Rite”? Some scholars have pointed out how Stravinsky's other works exhibit continuity or progression, and some even indicate that in ”The Rite” ”ideas do develop,” that it pushes forward and thus displays progression. Nevertheless, there is as yet no solid music analysis indicating how ”The Rite” progresses and pushes forward. This study tries to present just such an analysis. It is found that movements of the work progress primarily through recurrences and changes in cellular groupings and rhythmic and metric organizations. With this finding, it is hoped that the relationship between musical modernism and the quality of ”stasis” be reconsidered.

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