英文摘要
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This paper argues that Shakespeare exhibits in Macbeth a certain pre-existing cultural anxiety about female rhetoric in positioning the woman's tongue in the play as less a dramatic representation than a pathological socio-cultural locale, one that ”sickens” and thus threatens male subjectivity. With its power to transgress and transform, the female tongue remains a pathogenic site in the early modern era. In Macbeth, this tongue may be seen as the source-or rather as a metaphor or metonym for the source-of rhetorical infiltration that infects the (especially male) self like a disease, attacking it from the inside (Galen) and/or from the outside (Paracelsus). On the one hand, armed with malevolence which she will pour into her unwary husband's ear, Lady Macbeth could be characterized as the ”breeder of poison.” She triggers in Macbeth the inner passion for rebellion, even for going against or inverting the natural order. On the other hand, from the Paracelsian pathological standpoint, the evil words spoken by witches are incarnated as agents of infection that invade a healthy individual's body, or healthy socio-political organism, like the very ”seeds” (in modern terms the germs) of evil. The witches' cauldron has alchemically transformed this body, not by purifying it into gold but by corrupting and corroding it, killing it, bringing it to the edge of death.
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