英文摘要
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British Contemporary Art highlights a mutual influence between the Society, Culture, Art Practice and Critic, as the distinct symbol of yBa which represents a congregated common awareness of a group of artists in 1990s. The major artists, such as Damien Hirst, Tracey Emin, Sarah Lucas, Cornelia Parker, Christine Borland and Chapman Brothers etc. They became known for their openness to materials and processes. How to form together the art medium and the situational atmosphere when crossing under the axis of the history? Is the singularity of an artwork lies on its minimalism or its conceptual form? How do artists overcome their own strait, and also present their real life? How to be innovative yet also able to liberate from the limitations between the dominant semantics and the hidden meaning of the art practice? Besides the various trends of the art movements, historical meanings, and the discussions of the analysis of the image of the artwork, it is absolutely necessary to bring together the cultural study and the social conscious, yet also perceive them in the context of the era. This essay employs the foundation of the historical context and the coordinates of the time and space, in order to explore the relationship between the ideologies, the cultural study, and the artistic trait and the style of the era of British Contemporary art in 1990s.
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