题名

高達美論文本意義與詮釋者的關係

并列篇名

On Gadamer's Theory of the Relationship between the Interpreter and the Meaning of Text

DOI

10.7065/MRPC.200407.0163

作者

吳澤玫(Tse-Mei Wu)

关键词

「我─你」關係 ; 完整性前概念 ; 時間距離 ; 高達美 ; 視域融合 ; 詮釋學循環 ; ofre-conception of completeness ; fusion of horizons ; Gadamer ; hermeneutical circle ; I-Thou relation ; temporal distance

期刊名称

哲學與文化

卷期/出版年月

31卷7期(2004 / 07 / 01)

页次

163 - 183

内容语文

繁體中文

中文摘要

在本文中,我要指出,在高達美的詮釋學中,文本意義與詮釋者之間的關係是:本文意義乃是由詮釋者的歷史處境和文本的歷史處境共同產生的。本文首先說明高達美對於「詮釋學循環」(hermeneutical circle)以及他對文本和詮釋者歷史處境的看法。其次,我以高達美有關時間距離(temporal distance)、完整性前概念(fore-conception of completeness)以及視域融合(fusion of horizons)的概念,藉以說明文本的意義是由文本與詮釋者的歷史處境共同產生的。第三,我將探討三種可能的「我─你」關係,並指出唯有採取開放性的「我─你」關係,詮釋者才能與文本達成共識,且此共識依然是文本本身的意義。最後,其實跟他對詮釋學對象和目的的主張有著密切的關連。

英文摘要

In this paper I attempt to show Gadamer’s theory of the relationship between the interpreter and the meaning of text. I shall argue that, for Gadamer, the text’s meaning is always co-produced by the historical situation of the interpreter and that of the text. First, I introduce the Gadamerian concepts of hermeneutical circle and the historical situation of both the interpreter and the text. Second, I argue, in terms of three Gadamerian concepts: temporal distance, fore-conception of completeness, and fusion of horizons, that the text’s meaning is co-produced by the historical situation of the interpreter and that of the text. Third, I analyze three kinds of“I-Thou relation”in order to point out that only with an open“I-Thou relation”can the interpreter and the text reach an agreement, which is also the meaning of the text. Finally, I argue that Gadamer’s theory of the relationship between the interpreter and the meaning of text is in fact grounded on his view of the aim of hermeneutics.

主题分类 人文學 > 人文學綜合
参考文献
  1. Bontekoe, Ronald(1996).Dimensions of the Hermeneutic Circle.Atlantic Highlands, N. J.:Humanaties Press International.
  2. Gadamer, Hans-Georg,Joel Weinsheimer(Trans./ed.),Donald Marshall(1994).Truth and Method.New York:The Continuum Publishing Company.
  3. Heidegger, Martin,J. Macquarrie(Trans.),E. Robinson(1977).Being and Time.New York:Harper.
  4. Kant, Immanuel,Mary Gregor(Trans./ed.)(1964).Groundwork of the Metaphysic of Morals.New York:Harper.
  5. Palmer, Richard E.(1969).Hermeneutics: Interpretation Theory in Schleiermacher, Dilthey, Heidegger, and Gadamer.Evanston:Northwestern University Press.
  6. Schleiermacher, Friedrich,Heinz Kimmerle(Ed.)(1974).Hermeneutik.Heidelberg:C. Winter.
  7. 洪漢鼎(2001)。詮釋學——它的歷史和當代發展。北京:人民出版社。
  8. 陳榮華(2000)。詮釋學循環:史萊瑪赫、海德格和高達美。臺大哲學論評,23,101-135。
被引用次数
  1. (2023)。以「視域融合」觀點論表演藝術之創作思維。藝術學報,113,1-22。
  2. (2024)。運用視域融合哲學觀點從遊戲本質詮釋遊戲治療歷程。輔導與諮商學報,46(1),51-74。