杜夫海納美學思想的感性特質

The Sensuous in Mikel Dufrenne's Aesthetic Thought

10.7065/MRPC.200601.0143

尤煌傑(Huang-Chieh Yu)；何佳瑞(Katia Ho)

感性 ； 審美 ； 美感 ； 感覺 ； 居中 ； 歸納性 ； 主體 ； 客體 ； sensuous ； aesthetic ； aesthetic feeling or perception ； In-between ； inductive ； subject ； object

哲學與文化

33卷1期（2006 / 01 / 01）

143 - 164

繁體中文

杜夫海納的《審美經驗現象學》一書，目前已經在歐美公認為研究現象學美學的重要著作。本篇論文即以該書為主軸，分析探討在杜夫海納美學中「感性」所扮演的角色與地位。本文第一部份「感性在杜夫海納美學中的內在意涵與解析」，分別從「感性與意向性的關係」、「美是感性的完善」、「意義完全內在於感性」、「感性的各個面向等不同角度來分析在《審美經驗現象學》一書中感性的特質。第二部份「『居中性』是杜夫海納美學中感性認識的特色之一」、第三部份「杜夫海納美學中創新的感性認識：一種全新的歸納性感性的出現」，以及第四部份「杜夫海納所創造的感性是融合主客活動的共同參與」，則一一陳述出杜夫海納對感性在審美經驗中的論述具有創新與貢獻的諸多觀點。

Mikel Dufrenne's ”The Phenomenology of Aesthetic Experience”, is already considered one of the most important works in the study of phenomenological aesthetics. This paper attempts to analyze the idea of 'sensuous' in Dufrenne's work, and define what role it plays in aesthetic experiences. In the first section, ”The Meaning of the Sensuous in Dufrenne's Aesthetical Thoughts”, we get a picture of the sensuous from different aspects, including the relationship between the sensuous and intentionality, the beautiful as the fullness of the sensuous, a sense of immanence in the sensuous, and the elements of the sensuous. In the second section, we emphasize the 'In-Between' quality as one of the sensuous' characteristics. In the third section, we demonstrate that Dufrenne created a completely new idea of the sensuous, the 'inductive sensuous'. In the forth section, we point out that the sensuous created by Dufrenne is a communion of subject and object, while second to forth sections focus on the innovate ideas of Dufrenne and his contribution to aesthetic thoughts.