音樂的意義－認識論與存有論的哲學性探討

Meaning of the Music-An Answer Passing the Philosophical Perspectives between the Epistemology and the Ontology

10.7065/MRPC.200602.0119

葉文傑(Wen-Chieh Yeh)

音樂的意義 ； 符應真理 ； 此在 ； Meaning of the music ； Correspondent truth ； Dasein

哲學與文化

33卷2期（2006 / 02 / 01）

119 - 132

繁體中文

本文試圖從認識論與存有論的現象學觀點探究「音樂意義」的議題。藉由胡塞爾相即符應與海德格此在真理觀的比較，以發展音樂意義的可能性詮釋。本質上，認識論的相即符應是在陳述的循環論證裡糾結，而此在的存有機制則描繪了一個陳述真理的真實性結構，使得音樂意義得以通過存在者而揭示。

The purpose of this paper is to explore into the issue of ”the meaning of the music” in different views from the phenomenon of epistemology and ontology. In order to develop the possible interpretation of the music meaning by comparing the views of truth between the concept ”Adaequatio” correspondence of Husserl and the concept ”Dasien” of Heidegger. In essence, the ”Adaequatio” correspondence of the epistemology is entangled with when should concern the argument in a circle that is stated, and Dasein's state of Being that describe an authenticity structure of assertion in truth, uncover the meaning of music pass the entity.