高達美詮釋學：藝術與知識

Art and Knowledge in Gadamer's Hermeneutics

10.7065/MRPC.200807.0121

陳榮華(Wing-Wah Chan)

高達美 ； 藝術 ； 知識 ； Gadamer ； art ； knowledge

哲學與文化

35卷7期（2008 / 07 / 01）

121 - 134

繁體中文

本文的工作要說明在高達美詮釋學，藝術與知識的關係。這個工作分兩部份，首先說明高達美對傳統美學的批判。他提出三個論證反對傳統美學的美感意識，這個批判讓他的藝術哲學得以與知識銜接。第二部份藉著高達美對畫的現象學分析，一方面證成藝術與知識的必然關係，另方面說明這種知識的性格。最後我指出，由於藝術與知識的密切關係，高達美哲學的思考概念是藝術的。

This essay tries to elucidate the relationship between art and knowledge in Gadamer's hermeneutics. It is divided into two parts. Firstly I analyze the arguments offered by Gadamer in his critique of traditional aesthetics which leads him to the conclusion that art is knowledge. Secondly I argue for the necessary connection of art and knowledge and then show the characteristics of knowledge in Gadamer. In the conclusion I point out that the Gadamerian concept of thinking is artistic in nature.

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