馬勒侯小說的跨文化構建

The Intercultural Construction in Malraux's Fictions

10.7065/MRPC.200905.0005

劉海清(Hai-Qing Liu)

人類的命運 ； 跨文化 ； 虛構 ； 想像 ； 東西方文明 ； 寓意性 ； the condition of human beings ； intercultural ； invention ； imagination ； eastern and western civilizations ； morals

哲學與文化

36卷5期（2009 / 05 / 01）

5 - 19

繁體中文

馬勒侯小說中的人物和世界具有跨文化的虛構性和想像性，是作者「人類的命運」哲理的具象化，是傳達作者文化哲學思辨的符號組合。二十世紀初期，面對西方文化的價值危機，馬勒侯試圖從東方文化中尋求新的靈感，為西方文明的復興注入活力。他並不遵循生活的表象而是對現實施行「變換的想像」，引導人類超越自我，超越時限，企圖以此來質詢人的尊嚴。馬勒侯通過搬遷與挪借，在中國革命的框架中成功地找到了哲學的載體和探險的異域。在東西方文明的碰撞與交匯中，馬勒侯進行了思想的移位和切換，故事地點在亞洲，而意識的坐標系卻在西方，從而賦予了小說非同尋常的獨特性和寓意性，令人耳目一新。

The world and characters built in Andre Malraux's fictions possess a quality of invention and imagination. They are the concrete representations of the author's philosophy, ”the condition of human beings”, as well as the symbols which deliver his cultural philosophical speculation. In the early twentieth century, fronting the value crisis of the western culture, Malraux tried to search for new inspirations from the eastern culture in order to inject fresh energy to the revival of western civilization. He did not abide by life's appearance but switched the imagination towards the reality, guiding people to exceed themselves and surpass the limit of time so as to inquire human dignity. Using relocation and removal, Malraux successfully found the carrier of philosophy and the foreign field for exploration under the framework of Chinese Revolution. Through the convergence and collision between eastern and western civilizations, Malraux conducted the displacement and switchover of ideas. The story takes place in Asia while the true consciousness is located in the West thus endows the fiction with extraordinary specificity and morals which is truly refreshing.

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