影像的國際移徙：二十世紀宣傳紀錄片的藝術和普及

The International Migration of the Images: The Art of Documentary Film of Propaganda and its Universalization in the XXth Century

德尼．維達爾(Denis Vidal)；劉千美(Johanna Liu)

印度 ； 藝術史 ； 宣傳 ； 紀錄片 ； 葛里遜（John Grierson）貢布里希（Ernst Gombricht） ； 阿比．沃伯格（Aby Warburg） ； 大英帝國 ； India ； Art History ； Ppropaganda ； Documentary Films ； Grierson John ； Gombrich Ernst ； Aby Warburg ； British Empire

哲學與文化

41卷11期（2014 / 11 / 01）

71 - 90

繁體中文

宣傳與藝術史並不是像人們所以為的那樣壁壘分明。如眾所知，阿比．沃伯格（Aby Warburg）還有許多其他藝術史家，例如埃米爾．馬勒（Emile Male）、貢布里希（Ernst Gombricht）或肯尼思．克拉克（Kenneth Clark）等學者，在國家需要的時候，都曾不遺餘力貢獻所學，為家國作宣傳。從較基本的理論層次而言，分析宣傳的問題，弔詭地使我們不得不探究藝術史的一些關鍵預設。而聚焦紀錄片在大英帝國與印度的最初發展即可見其端倪。

Propaganda and art history do not lie as far apart as we might think. As we know, Aby Warburg and many other art historians (such as Emile Mille, Ernst Gombricht or Kenneth Clark) have not hesitated to put their knowledge in the service of propaganda for their homelands when circumstances required doing so. At a more fundamental level, the problems of analyzing propaganda paradoxically force us to investigate some of art history's key postulates. This is shown by focusing on the very beginnings of documentary films in the British Empire and India.

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