阿多諾論藝術的自律性

Adorno on the Autonomy of Art

王尚文(Shang-Wen Wang)

批判理論 ； 人性 ； （藝術）自律性 ； （藝術）材質 ； 阿多諾 ； 藝術客體的優位 ； Adorno, Autonomy (of Art) ； Critical Theory ； Humanity ； Material (of Art) ； Primacy of Art Object

哲學與文化

43卷4期（2016 / 04 / 01）

77 - 90

繁體中文

西方藝術從19 世紀開始強調「藝術的自律性」。藝術的自律性意指：藝術的發展與存在應以對於美與藝術自身的追求為主，而非為了藝術之外的因素，例如宗教儀式、政治宣傳或商業利益。這個論點指出了藝術家創造的自由以及藝術作品存在的客觀獨立性。對於藝術自律性的強調一直是阿多諾美學與藝術哲學的核心。然而，有學者對於藝術自律性的普遍適用性以及阿多諾對它的堅持有所質疑。本文嘗試指出：阿多諾對於藝術自律性的堅持，其實並不只是一種形式上的要求，而是和他的哲學立場相關，更和他對於啟蒙的批判以及人性的宣揚緊密結合。

＂Autonomy of art＂ is emphasized in Western art since nineteenth century. The autonomy of art means: The development and existence of art should aim at beauty and art itself and not at the factors external to it, e.g. religious rituals, political propagandas or commercial profits. This thesis indicates artist’s freedom of creation and the objective independence of the existence of art work. The emphasis on the autonomy of art is always the core of Adorno’s aesthetics and philosophy of art. Some scholars, however, doubt the universalizability of this claim and Adorno’s insistence on it. This paper tries to indicate: Adorno’s claim on the autonomy of art, however, is not just a formal demand, but related to his philosophical stance, critique of Enlightenment and the promotion of humanity.

1. Adorno, Theodor W.,Tiedemann, Rolf(Ed.)(1997).Gesammelte Schriften.Frankfurt am Main:Suhrkamp.
2. Adorno, Theodor W.,Tiedemann, Rolf(Ed.)(1997).Gesammelte Schriften.Frankfurt am Main:Suhrkamp.
3. Adorno, Theodor W.,Tiedemann, Rolf(Ed.)(1997).Gesammelte Schriften.Frankfurt am Main:Suhrkamp.
4. Adorno, Theodor W.,Tiedemann, Rolf(Ed.)(1997).Gesammelte Schriften.Frankfurt am Main:Suhrkamp.
5. Adorno, Theodor W.,Tiedemann, Rolf(Ed.)(1997).Gesammelte Schriften.Frankfurt am Main:Suhrkamp.
6. Adorno, Theodor W.,Tiedemann, Rolf(Ed.)(1997).Gesammelte Schriften.Frankfurt am Main:Suhrkamp.
7. Adorno, Theodor W.,Tiedemann, Rolf(Ed.)(1997).Gesammelte Schriften.Frankfurt am Main:Suhrkamp.
8. Barck, Karlheinz(ed.)(2000).Ästhetische Grundbegriffe.Stuttgart:J.B. Metzler.
9. Benjamin, Walter(1961).Illuminationen.Frankfurt a.M.:Suhrkamp.
10. Bürger, Peter(1974).Theorie der Avantgarde.Frankfurt a.M.:Suhrkamp.
11. Burkholder, J. Peter,Grout, Donald Jay,Palisca, Claude V.(2014).A History of Western Music.New York:W. W. Norton & Company.
12. Dahlhaus, Carl(1987).Ludwig van Beethoven und seine Zeit.Laaber:Laaber.
13. Hohendahl, Peter Uwe(1981).Autonomy of Art: Looking Back at Adorno's Ästhetische Theorie.The German Quarterly,54(2),133-148.
14. Klein, Richard(ed.)(2011).Adorno Handbuch.Stuttgart:J.B.Metzler.
15. Paddison, Max(1993).Adorno's Aesthetics of Music.New York:Cambridge University Press.
16. Rush, Fred(ed.)(2004).The Cambridge Companion to Critical Theory.Cambridge:Cambridge University Press.
17. Von Kutschera, Franz(1998).Ästhetik.Berlin:Walter de Gruyter.
18. 黃聖哲(2013)。美學經驗的社會構成。臺北:唐山出版社。