题名 |
哲學視域下的興辭新詮:基於對鄭玄解「興」為「喻」的反思 |
并列篇名 |
An Interpretation of Xing from the Perspective of Philosophy: Based on the Reflection on Zheng Xuan's interpretation of "Xing" as "Metaphor" |
作者 |
黃子洵(Zixun HUANG) |
关键词 |
《詩》 ; 興 ; 詩-興思維 ; 物通乎道 ; Book of Songs ; Xing ; Shi-Xing Thinking ; The Correlation between Wu and Dao |
期刊名称 |
哲學與文化 |
卷期/出版年月 |
50卷5期(2023 / 05 / 01) |
页次 |
151 - 165 |
内容语文 |
繁體中文;英文 |
中文摘要 |
現代學界,「賦比興」之「興」多在「術」的層面被界定為詩人的創作技藝或修辭方法(譬喻),這很大程度上延續了鄭玄解「興」為「喻」的立場,而與「興」之為「起」、「起」之為「啟一舉體」的原初語境存在較大差距。「體」作為「大全」,其大無外。一乃是在體之內,作為體之局部,與體之間並無可比性。因此,一(有限)與體(無限)並不構成譬喻關係。解「興」為「喻」,未能基於體貼「啟一舉體」的形上語境而揭橥其所內蘊之道物關係。實際上,「興」應在存在論層面視為詩人洞徹「事難顯陳,理難言罄」的根本困境及直接性論說的局限之後,對「以事類推,以理義求」的日常言說的超越。 |
英文摘要 |
"Xing" is mostly defined as the poet's creative skills or rhetorical methods, which fails to explore the ideological meaning of this concept based on the perspective of philosophical exploration and the ideological and cultural context in which "Xing" is rooted. Therefore, it fails to see that "Xing" is supported by the conceptual system in which people understood the fundamental nature of the world in the pre-Qin period. For a long time, the correlation between "Xing" and people's feelings, ideological characteristics and spiritual habits in the pre-Qin period has been ignored. In fact, Xing, as the reflection of the poet's aesthetic purport and spiritual characteristics in the expression of his era and civilization tradition, reflects the consistent understanding of the internal meaning of things and the overall relationship of the world. |
主题分类 |
人文學 >
人文學綜合 |
参考文献 |
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