流行文化的解構觀

The Deconstruction Perspectives of Popular Culture

10.30386/MCR.200701_(90).0003

劉平君(Ping-Chun Liu)

流行文化 ； 傅柯 ； 解構 ； 德希逹 ； 權力 ； popular culture ； Foucault ； deconstruction Derrida ； power

新聞學研究

90期（2007 / 01 / 01）

141 - 178

繁體中文

本文由Foucault 之權力觀與Derrida權之延異觀點討論符號世界的結構解構之路，並以解構觀重寫流行文化。 本文認為，流行文化是解構之路的運作場域，也是其結果。流行文化是文化的反向之路、文化表意的空隙，也是彰顯文化表意空隙的實踐，更是一再消解權力結構的實踐。流行文化是這個別的、不連續的、斷裂的、突兀的、不相干的解構現象集合體。 故而流行文化研究當從權力角力的旋渦中抽離出來，讓流行文化回復其反文化之姿，造就文化領空下流行文化構的空洞之痕。

This article elaborates on the course of construction and Foucault's power and Derrida's difference, and rewrites what popular culture is from deconstructive perspectives. Popular culture is the operating field of the course of deconstruction, and it is also the consequence of its operation. Popular culture is the spacing of cultural significance against the power, and it has also kept the emptying the practices of the cultural significance. Furthermore, popular culture has been deconstructing the practices of the power structure within the absence of cultural significance in the individual, and occasionally broken, brusque, and irrelevant manners. In this case, popular culture research should itself from wrestling with the power structure. Has popular culture retrieved the posture of its counter-cultural, and coined the trace of deconstruction of popular culture in the cultural field?

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