內省的建築－尊托的設計思維

The Architecture of Introspection-Peter Zumthor's Design Thinking

10.6377/JA.200603.0095

黃光旭(Kuang-Hsu Huang)；施植明(Chih-Ming Shih)

尊托 ； 建築設計 ； 設計論述 ； 設計思考 ； Peter Zumthor ； architecture design ； design thinking ； design discourse

建築學報

55期（2006 / 03 / 01）

95 - 110

繁體中文

尊托(Peter Zumthor)的建築作品乍看之下呈現出強烈的物質性：精準的細部工藝與結構工法，但在閱讀過他的設計論述之後，發現在材料構築性的表象背後，隱涵著建築師內在深層的理念，物質性的外在形式只是建築師尊托表達內在思維的工具，唯有透過尊托的設計論述，才會發現他企圖表達的建築內在精神。本文針對尊托的設計論述與作品間的關聯性進行分析，以實地觀察的三件作品作為分析案例；從設計論述中歸納四項建築議題：完整性、本質性、感官性、時間性，經由四項建築議題回溯設計論述與作品間的關聯性。首先探討設計論述與形式間的關聯性，配合現場體驗，分析設計理念如何透過具體形式得以呈現的問題，再比較分析三個案例在相同議題之間的差異性。經由這樣的分析可以發現，尊托在設計論述與作品間具有某種程度的一致性，而且作品中呈現出尋求建築本質性的內省特質。

The architectures of Peter Zumthor show the strong materiality-a presentation of precise details and structural engineering. Through reading Zumthor's discourse, we revealed his inner ideas concealing behind the surface. This article is a research of the relation between his discourses and works. The paper is composed of three parts: first a discussion of the relation between discourse and form; second an architectural experience of his works to discover how the design ideas were accomplished; and thirdly a comparison of his three cases within one theme to show the differences between them. In conclusion, we found a consistency between Zumthor's discourse and form, and an introspective character of his works for searching for the essence of architecture.

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