题名

希臘古典建築美學的音樂佐證

并列篇名

Music Evidence on Greek Classical Architecture Aesthetics

DOI

10.3966/101632122014090089012

作者

王維潔(Wei-Chieh Wang)

关键词

古典文化 ； 建築美學 ； 古典希臘建築 ； 古希臘音樂 ； 古代音樂 ； Classical ； Classical Greek Architecture ； Greek Music ； Period Instrument Performance

期刊名称

建築學報

卷期/出版年月

89期（2014 / 09 / 01）

页次

211 - 223

内容语文

繁體中文
中文摘要

音樂反映著時代的節奏、動態、與美感。古代環境的不可復生是研究古代建築的最大困境，然而古代音樂的重建，卻能在這個環節上多有幫助。西方自一九三○年代，開始了巴洛克音樂家維瓦第的復興運動，一九七○年代起即有廣泛的古代音樂研究及歷史演奏錄音；這樣的古樂風潮累積到公元兩千年，已有了相當的成果，尤其在古典希臘／羅馬音樂復興的領域，亦佔有一席地位。古代神殿之立，為了祭禮儀典之舉行；祭禮儀典又不能不藉助音樂，塑造氣氛，感染情緒，輔助典禮進行；遂音樂實屬建築之範疇。建築史研究若能以音樂為輔，援為證據，必有新得。古希臘人對秩序及規範的嚴謹，是眾所皆知的，然而事實上似乎並非如此。本文借助最新的音樂證據以及建築考古知識，協助我們釐清古典希臘建築的美學的真實面貌，那追求「法和非法之間」、「秩序和非秩序間」的動態美感及非和諧美學的新觀念。
英文摘要

Music reflects the tempo, the rhythm, and the aesthetics of a period. That the historical environment cannot be resurrected is an obstacle in the way of historical research on architecture. Period instruments and historical performance, however, can provide help with this problem. From the 1930s of the last century, a revival of Baroque musician Vivaldi was started and from 1970 to 2000, a tremendous output of recordings was made, including the rebirth of ancient Greek and Roman music. In the past, temples were erected for performance of rituals, at which music was played, an atmosphere was created and emotions were stirred. Thus, indeed, music is a part of architecture. Through historical music studies, we might derive new insights in architectural history research. That the ancient Greeks had rules and followed them strictly has been deemed a fact by many. This paper, through period music and archeological discoveries, aims to reshape our understanding of harmony and order in classical Greek architecture and the pursuit of equilibrium between order and non-order, system and non-system.
主题分类 工程學 > 土木與建築工程
参考文献
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