Book Reviews: No Man an Island: The Cinema of Hou Hsiao-hsien

吳佳琪

中國文哲研究集刊

43期（2013 / 09 / 01）

266 - 280

英文

1. Bordwell, David(2005).Figures Traced in Light: On Cinematic Staging.Berkeley, Calif.:University of California Press.
2. Buckland, Warren(ed.)(2009).Film Theory and Contemporary Hollywood Movies.New York:Routledge.
3. Burch, Nöel(1979).To the Distant Observer: Form and Meaning in the Japanese Cinema.Berkeley, Calif.:University of California Press.
4. Caughie, John(ed.)(1981).Theories of Authorship: A Reader.London:Routledge & Kegan Paul.
5. Chu, tien-wen(1995)。Haonan haonu。Taipei:Maitian chubanshe。
6. Chu, tien-wen(2008)。Zuihao de shiguang。Taipei:Yinke chubanshe。
7. Elsaesser, Thomas(1996).Fassbinder's Germany: History, Identity, Subject.Amsterdam:Amsterdam University Press.
8. Elsaesser, Thomas,Buckland, Warren(2002).Studying Contemporary American Film: A Guide to Movie Analysis.London:Arnold.
9. Hill, John(2011).Ken Loach: The Politics of Film and Television.London:British Film Institute.
10. Mi Zou、Liang, Xinhuaed.(1991)。Xindianyin zhi si。Taipei:Tangshan chubanshe。
11. Stam, Robert(2000).Film Theory: An Introduction.Malden, Mass.:Blackwell.
12. Udden, James(2009).No Man an Island: The Cinema of Hou Hsiao-hsien.Hong Kong:Hong Kong University Press.
13. Yeh, Emilie Yueh-yu,Davis, Darrell William(2005).Taiwan Film Directors: A Treasure Island.New York:Columbia University Press.
14. Yip, June(2004).Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary.Durham, NC.:Duke University Press.
15. 林文琪、Shen, Xiao-yined.、Li, Zen-yaed.(2000)。Xilian rensheng: Hou Hsiao-hsien dianyin yangjiu。Taipen:Maitian chubanshen。