英文摘要
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During the Song dynasty, two commentaries were published on the Guliang zhuan; one is the original commentary, and the other is the same commentary printed together with annotations. Due to the relative convenience of the latter, the former has fallen out of use. However, collating these two commentaries reveals that some changes in diction and style crept in during the production of the combined edition, yet the existence of these discrepancies has not become universal knowledge amongst sinologists. While these emendations may have been made with due consideration, astute scholars still follow the original commentary, but some have made "corrections" based on the combined edition. Chen Shan and Ruan Yuan have argued that the separate commentary used by He Huang for his redaction of the Guliang was a manuscript written by Li Zhonglu in the Ming dynasty, and contemporary scholars believe that this manuscript is the ancestor of the three extant separate commentaries. Close collation of the extant versions of these separate commentaries reveals that they can be divided into two systems: 1) the Qing manuscript of Chen Shan, and the Tianyuzhai manuscript of Qu Yong; and 2) Liu Chenggan's woodblock edition of the Guliang in the Jiayetang collection based on the manuscript of Zhang Jinwu. Moreover, it is likely that the He Huang redaction cited by Ruan Yuan in his critical apparatus was also based on these two systems.
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連結:
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簡逸光(2018)。余仁仲刊本《春秋穀梁傳集解》相關問題考辨。臺大文史哲學報,90,1-37。
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