英文摘要
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As a form of drama, tragedy usually belongs to the research field of aesthetics. But for some philosophers, the form of art, especially drama, may be more suitable to represent the essence of practical problems. They think that the subject matters which drama is dealing with are not different from ethics. Through the expression form of drama, such as tragedy, we can look at the quintessence of the ethical disputes more clearly. Based on this idea, this essay starts with the exploration of the concept of tragedy of young Hegel and then tries to discuss some fundamental problems of practical philosophy.
In the second part I will discuss Hegel's concept of tragedy in his pre-Jena period. In the third part, the meaning of tragedy in Hegel's works written during his residence in Jena will be explored, above all the relevant paragraphs in Essay on Natural Law (Naturrechtsaufsatz) and Phenomenology of Spirit will be interpreted. Based on these investigations, some important aspects of practical philosophy will be discussed in the fourth part, which include 'the tragic guilt, moral wrongs and responsibility of tragedy', 'autonomy, self-realization and law', and 'from ethical essence to essence of mighty power: the separation of ethical life and destiny'. The final part is the conclusion.
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