李蓋悌最後四首鋼琴練習曲探究

A Research on the Last Four Piano Etudes by G. Ligeti

10.7060/KNUJ-HA.201012.0115

楊景蘭(Ching-Lan Yang)

李蓋悌 ； 鋼琴 ； 練習曲 ； Ligeti ； Piano ； Etudes

高雄師大學報：人文與藝術類

29期（2010 / 12 / 01）

115 - 149

繁體中文

跨世紀的當代作曲家李蓋悌(György Sándor Ligeti, 1923-2006)，以其獨特的音樂 創作理念與卓越的成就，在二十世紀音樂的發展上，佔有相當重要的地位。他晚期一系列的鋼琴練習曲運用創新的技法，結合多元文化與科學的影響，被譽為繼德布西、拉威爾、和巴爾托克之後，二十世紀最具影響力之鋼琴創作，近年來時常被列入世界鋼琴大賽之必選之曲目中。本文以李蓋悌第三冊共四首的練習曲為研究範圍，探討其創作手法與鋼琴語彙，內容包括樂曲架構、旋律組織、節奏特徵、力度設計、速度的運用、強奏之表現、艱難技巧之彈奏、張力的詮釋等。希望藉此研究能引起鋼琴學習者之重視與興趣，並將本研究的結果作為學習者實用的參考資料。

György Sándor Ligeti (1923-2006) plays an important role in the 20th century music development throught his original ideas of composition and extraordinary achievements. His Piano Etudes, which were written during his later period, had been regarded as the most influential works for piano after Debussy, Ravel and Bartók, and had been included as one of the required repertoires by several renowned piano competitions. This paper focuses on the 3rd book of Piano Etudes by Ligeti. It provides analysis on the characteristics and the piano techniques of each Etude. The research includes formal structure, melodic organization, rhythmic character, device of dynamic, tempo, accent, difficult technique, and the approach of musical climax. It is hope that this paper can be a helpful reference for performance and can arouse the interest and further research of Ligeti's piano works.

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