题名 |
解讀香港臥底電影的情緒結構和變遷 |
并列篇名 |
The Changing Structure of Feelings in Hong Kong Undercover Movies |
DOI |
10.29816/TARQSS.200512.0005 |
作者 |
羅永生(Wing-Sang Law) |
关键词 |
殖民主義 ; 情緒結構 ; 政治寓言 ; 警匪片 ; Colonialism ; Structure of Feelings ; Political Allegory ; Gangster Movies |
期刊名称 |
台灣社會研究季刊 |
卷期/出版年月 |
60期(2005 / 12 / 01) |
页次 |
145 - 178 |
内容语文 |
繁體中文 |
中文摘要 |
八十年代以來香港電影環繞臥底探員的角色和形象,逐漸形成一個次類型,廣泛地在不同主題和風格的電影中出現。本文主要論點在於指出,臥底次類型在香港電影的浮現、發展和變化,與香港過去百多年特殊的殖民歷史處境,以及其文化與政治形構有緊密關係。作為一種政治和文化隱喻,電影中的臥底形象和臥底故事,可以幫助我們了解香港人身份及主體性問題之複雜性,以及英治晚期和九七之後香港在變遷中之情緒結構。 |
英文摘要 |
Since the 1980s, Hong Kong cinema has given rise to a particular sub-genre around the figures of undercover cop which proliferate in movies with diverse themes and styles. The paper argues that its emergence is closely related to Hong Kong's peculiar colonial historical background and the corresponding cultural and political formation. As political and cultural metaphors, the figures and stories of undercover can enhance our understanding of the complexity involved in Hong Kong people's identity and subjectivity. They can also illustrate the changing structure of feelings both in the period of the late British rule and post-1997. |
主题分类 |
社會科學 >
社會學 |
参考文献 |
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