英文摘要
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At the current historical moment as witnessed by the rise of right-wing populism in various nationalist movements in the name of democratization across the globe, a number of critical scholarship has called for a reevaluation of the historical formations of Cold War liberalism in transpacific contexts. Considering Wu Nien-Jen's film, Buddha Bless America (1996), as an integrated part of the Cold War historical narratives, this paper looks at how this cultural text renders visible the Cold War problematics about the dual process of militarization and medicalization articulated through liberal categories of freedom, democracy and scientic progress. To read this film as presenting the Taiwan Cold War history under the transnational genealogies of scientific humanism, this paper further explores how this Post-Cold War liberal cultural critique rehearses some familiar language of liberalism itself in a series of displacements of race and disability in the mutual constitutions of US-Taiwan modernities. The critical view of the continuous racialized displacements in this colonial-imperialist nexus of power is much needed for imagining a "third world" de-colonializing project.
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