英文摘要
|
Traditionally, detective novel has been treated as a marginal genre by critics. Nevertheless, with the cultural sensibilities of hybridity and fluidity in the postmodern age as well as in the globalized era, detective novel has become one of the main stream literary genres. Sally Munt, in her study on British and American women's detective narrative, has asserted that search for identity is particularly significant for the study of contemporary women's detective fiction, as through the use of detective genre, most of women writers will be able to explore the discourse of self-identity, and this will also be applicable to the concept of creation of contemporary Spanish women writers. The present paper aims to explore gender and identity as central themes to study detective fiction by certain popular female writers in the post-Franco Spain, constructively investigates the writing style of Spanish women's detective novels. The paper attempts to analyze the detective novels by Rosa Montero, Alicia Giménez Bartlett and the three female writers from the Catalan-speaking regions of Spain- Maria-Antònia Oliver, Isabel-Clara Simó and Assumpta Margenat as examples, to show how these writers intend to use the detective genre to deconstruct those stereotyped negative representations of women, and how their characters represent their femininity/otherness, in order to reconstruct the discourses of women's self realization and women's subjectivity.
|
参考文献
|
-
Alice, Lynne(1995).What Is Feminism? Or, Having It Both Ways.Feminism, Postmodernism, Postfeminism: Conference Proceedings,Palmerston North, New Zealand:
-
Brooks, Ann(1997).Postfeminisms. Cultural Theory and Cultural Forms.London:Routledge.
-
Brooksbank Jones, Anny(1997).Women in Contemporary Spain.Manchester:Manchester UP.
-
Brownmiller, Susan(1975).Against Our Will: Men, Women and Rape.NY:Simon and Schuster.
-
Coma, Javier(2001).La novela negra: Historia de la aplicación del realismo crítico a la novela policíaca nortemericana.Barcelona:Ed.
-
Convsersi, Daniele(1997).The Basques, the Catalans and Spain. Alternative Routes to Nationalist Mobilization.London:Hurst.
-
Cranny-Francis, Anne(1990).Feminist Fiction. Feminist Uses of Generic Fiction.Cambridge:Polity P.
-
Davies, Catherine(1998).Spanish Women's Writing 1849-1996.London:The Athlone P.
-
DiGiacomo, Susan(1986).Images of Class and Ethnicity in Catalan Politics 1977-1980.Conflict in Catalonia: Images of an Urban Society,Gainesville:
-
Ebert, Teresa L.(1992).Detecting the Phallus: Authority, Ideology, and the Production of Patriarchal Agents in Detective Fiction.Rethinking Marxism,5(3),6-28.
-
Encinar, Ángeles(2004).La narrativa de Alicia Giménez Bartlett.Ínsula,688,25-26.
-
Falcón, Lidia(2000).Los nuevos mitos del feminismo.Madrid:Vindicacion Feminista.
-
Falcón, Lidia(1991).Violencia contra la mujer.Madrid:Vindicacion Feminista.
-
Faludi, Susan.Postfeminism.Routledge International Encyclopedia of Women
-
Giménez Bartlett, Alicia(1997).Día de perros.Barcelona:Grijalbo.
-
Giménez Bartlett, Alicia(1999).Mensajeros de la oscuridad.Barcelona:Plaza y Janes.
-
Giménez Bartlett, Alicia(2002).Serpientes en el paraíso.Barcelona:Planeta.
-
Giménez Bartlett, Alicia(2007).Nido vacío.Barcelona:Planeta.
-
Giménez Bartlett, Alicia(2009).El silencio de los claustros.Barcelona:Planeta.
-
Giménez Bartlett, Alicia(2000).Muertos de papel.Barcelona:Plaza y Janes.
-
Giménez Bartlett, Alicia(1996).Ritos de muerte.Barcelona:Grijalbo.
-
Giménez Bartlett, Alicia(2004).Un barco cargado de arroz.Barcelona:Planeta.
-
Godsland, Shelley(2002).Maria-Antònia Oliver: la reescritura femenina/feminista de la novela negra.Bulletin of Hispanic Studies,79(3),337-52.
-
Godsland, Shelley(2002).From Feminism to Postfeminism in Women's Detective Fiction from Spain: the Case of Maria Antònia Oliver and Alicia Giménez Bartlett.Letras Femeninas,28(1),84-99.
-
Godsland, Shelley(2007).Killing Carmens. Women's Crime Fiction from Spain.Cardiff:U of Wales P.
-
Godsland, Shelley,White, Anne M.(2000).Investigating Fictions of Identity: Contemporary Catalan Fictions by Women.Crime Scenes: Detective Narratives in European Culture since 1945,Amsterdam:
-
Griffin, Susan(1971).Rape: The All-American Crime.Ramparts,10(3),26-35.
-
Hart, Patricia(1987).An Introduction to the Spanish Sleuth.Monographic Review,3(1-2),163-81.
-
Humm, Maggie(1990).Feminist Detective Fiction.Twentieth Century Suspense. The Thriller Comes of Age,NY:
-
Irons, Glenwood(ed.)(1995).Feminism in Women's Detective Fiction,Toronto:
-
Klein, Kathleen Gregory(1995).The Women Detective. Gender and Genre.Urbana:U of Illinois P.
-
Klein, Kathleen Gregory(1995).Habeas Corpus: Feminism and Detective Fiction.Feminism in Women's Detective Fiction,Toronto:
-
Knight, Vanessa(2001).¿Feminismo de la igualdad/Feminismo de la diferencia?: A Study and Bibliography of the Debates and its implications for Contemporary Spanish Women's Narrative.Hispanic Research Journal,2(1),27-43.
-
Levine, Linda Gould(2004).Feminismo y repercusiones sociales: de la Transición a la actualidad.La mujer en la España actual. ¿Evolución o involución?,Barcelona:
-
Margenat, Assumpt(1989).Escap't d'Andorra.Barcelona:La Magrana.
-
Margenat, Assumpt,McIntosh, Sheila(Trans.)(1992).Wild Card.Seattle:Women in Translation.
-
Montero, Rosa(1997).La hija del caníbal.Barcelona:Seix Barral.
-
Montero, Rosa(1983).Te trataré como a una reina.Barcelona:Seix Barral.
-
Munt, Sally R.(1994).Murder by the Book? Feminism and the Crime Novel.London:Routledge.
-
Oliver, Maria Antònia(1987).Antípodes.Barcelona:La Magrana.
-
Oliver, Maria Antònia(1985).Estudi en lila.Barcelona:La Magrana.
-
Oliver, Maria Antònia,de Quinto, Manuel(Trad.)(1989).Estudio en lila.Barcelona:Vidorama.
-
Oliver, Maria Antònia,de Quinto, Manuel(Trad.)(1990).Antípodas.Barcelona:Vidorama.
-
Postlewate, Marisa(2002).The Use of the Detective Story Framework as a [Pre] text For Self-Realization in La hija del caníbal.Letras Femeninas,28(1),131-46.
-
Resina, Joan Ramón(1997).El cadáver en la cocina. La novela criminal en la cultura del desencanto.Barcelona:Anthropos.
-
Resina, Joan Ramón(1994).Detective Formula and Parodic Reflexivity: Crim.The Garden Across the Border. Mercè Rodoreda's Fiction,Selingsgrove:
-
Sanz Villanueva, Santos(1985).El realismo en la nueva novela española.Ínsula,464-65,7-8.
-
Simó, Isable-Clara(1991).Una ombra fosca, como un núvol de tempsta.Barcelona:Area.
-
Simó, Isable-Clara,Hart, Patricia(Trans.)(1993).A Corpse of One's Own.New York:Peter Lang.
-
Thompson-Casado, Kathleen(2002).Petra Delicado: A Suitable Detective for a Feminist?.Letras Femeninas,28(1),71-83.
-
Thompson-Casado, Kathleen(1997).Elements of the Novela Negra in Rosa Montero's Te trataré como a una reina.España Contemporánea,10(2),21-34.
-
Valles Calatrava, José(1991).La novela criminal española.Granada:Universidad de Granada.
-
Whelehan, Imelda(1995).Modern Feminist Thought. From the Second Wave to "Post-Feminism".Edinburgh:Edinburgh UP.
-
Woolard, Kathryn(1989).Double Talk: Bilingualism and the Politics of Ethnicity in Catalonia.Stanford:Stanford UP.
|