英文摘要
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The issue of self-possession is integral to the discourse of feminism and women's (property) rights in late nineteenth-century America both in women's fiction and non fiction. Oftentimes articulated by feminists as a right to be gained in the struggle for gender equality, others had already laid claim to it by equity law and custom. Either way, the struggle for female self-possession often involved unorthodox actions and unusual material living conditions. In this context, Elizabeth Stoddard's short story, ”A Study for a Heroine” (1855), reflects Sarah Brett's lifelong struggle for self-possession. Fuelled neither by political nor by spiritual motives, the story blends corporate and capitalist work, personal and social pleasures, public and private space, housework and communal life. This particular understanding of female self-possession is coupled with ”material feminism” in that the blurring of domestic and public boundaries manifests itself in the material make-up and spatial arrangements of Sarah's house, work, and marriage. A unique late approach to self-ownership in Stoddard's works, the short story thus represents domestic work as social labour, which corresponds to the material feminists' agenda of economic, spatial, and material transformation of American culture.
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