题名 |
臺灣戲曲學界對京劇文本創作的影響:由《閻羅夢》的映象說起 |
并列篇名 |
The Academia's Influences on the Peking Opera Scripts: A Discussion on Journey through Hell |
DOI |
10.30157/JCRTF.200806.0004 |
作者 |
林幸慧(Hsing-Hui Lin) |
关键词 |
京劇 ; 臺灣京劇 ; 閻羅夢 ; 王安祈 ; 國光劇團 ; Peking Opera ; Taiwanese Peking Opera ; Journey through Hell ; Wang An-chi ; GuoGuang Opera Company |
期刊名称 |
民俗曲藝 |
卷期/出版年月 |
160期(2008 / 06 / 01) |
页次 |
123 - 168 |
内容语文 |
繁體中文 |
中文摘要 |
本文以《閻羅夢》爲切入點,試圖討論臺灣戲曲學界與京劇界互動至今,在文本創作方面留下的印記及其意義。首先討論《閻羅夢》劇作原稿與小說原著主旨之差異;其次分題旨與結構二端剖析該劇演出本奠基於原稿之上的創發,而後剖析本地學界對劇界在文本創作上的影響,並附帶討論學界於觀眾養成方面的努力。 由《閻羅夢》陳稿與演出本的差別,可見出學者劇作家較職業劇作家更重視作品的思想性。臺灣戲曲學者與京劇界的密切合作,不僅使京劇文士化的層面更加深廣,亦使臺灣新編京劇文本在文學成就與思想深度兩方面皆有別於大陸劇作,爲臺灣京劇開出新境,而學者於校園中培養的新生代觀眾,或將決定臺灣京劇今後何去何從。 |
英文摘要 |
This article, based on the script of Journey through Hell, explores the interaction between the academic circle of opera studies and the Peking Opera troupes in Taiwan, and the imprints thereby left on the creation of operatic scripts. First I compare the gist of the original novel and that of the operatic text. Secondly, I discuss the script's innovative designs in terms of the thesis and the structural level. Finally, I analyze the academia's influence on the script composition, as well as the academia's endeavor in cultivating its audience. When one compares Chen Yaxian's original text with that of Wang An-chi's adaptation, one finds that scholar playwrights lay more emphasis on the philosophical aspect of the script. The cooperation between academia and opera theater circle not only broadens the scope of Peking opera but also sets Taiwanese Opera scripts apart from those of China, both in terms of literary achievement and profundity of thoughts. The new generation of audience, cultivated on campus by the scholars, will possibly determine the future of Peking Opera in Taiwan. |
主题分类 |
人文學 >
藝術 |
参考文献 |
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被引用次数 |