英文摘要
|
Lavish funerals were a fashion between the nobility and royalty in the ancient China. While during the Wei-Jin Dynasties, the manners of funerals were simplified. Scholars who were studying on the culture of natural burial in the previous, focused the historical and external factors, which could not relate to the metaphysical idea and vogue in the Wei-Jin Dynasties. Thus, the life awareness of natural burial in Wei-Jin Dynasties was unable to be highlighted. This article first focuses on Zhuangzi's viewpoint of returning to the innocence by explaining the concept of innocence. Then, this article traces and explains the natural burials of Yang Wang-Sun, Mu-Bing and Huangpu Mi and clarifies the differences between two custom of natural burials which is with innocence as principal(以真為歸) and the other one is with resources as the consideration(以利為求), which are often confused in the previous studies. This article further examine the meaning of returning to the innocence and its relationship with the metaphysical vogue. Through the correspondent articles wrote by Wei-Jin scholars, this paper finds the self-consciousness of the Seven Sages of the Bamboo Grove. They acted dispiritedly with the disheveled appearance and sought the life metamorphosis, then to achieve the goal of being free and unfettered in the metaphysical realm. The Meaning Elaboration of innocence is the vital part of Zhuangzi's ideological system, thus, this paper examines such transformation in Wei-Jin period so as to be a contribution in the study of Zhuangzi in Wei-Jin period.
|
参考文献
|
-
林順夫(2005)。以無翼飛者:《莊子.內篇》對於最高理想人物的描述。中國文哲研究集刊,26,1-35。
連結:
-
(1991).新編諸子集成.北京:中華書局.
-
(1986).文淵閣四庫全書.臺北:臺灣商務印書館.
-
(1986).文淵閣四庫全書.臺北:臺灣商務印書館.
-
(1955).十三經注疏.臺北:藝文印書館.
-
(1985).大正新脩大藏經.臺北:新文豐出版社.
-
(1993).新編諸子集成.北京:中華書局.
-
(宋)李昉(編),嚴一萍(校勘)(1970).太平廣記.臺北:藝文出版社.
-
(宋)羅大經,王瑞來(點校)(1983).鶴林玉露.北京:中華書局.
-
(南朝宋)范曄(1981).後漢書.臺北:鼎文書局.
-
(唐)房玄齡(2003).晉書.臺北:鼎文書局.
-
(晉)陳壽(2010).三國志.臺北:臺灣商務印書館.
-
(晉)陳壽,(清)盧弼(集解)(2012).三國志集解.上海:上海古籍出版社.
-
(梁)蕭統(編),(唐)李善(注)(2012).六臣注文選.北京:中華書局.
-
(清)孫詒讓(1983).墨子閒詁.臺北:臺灣商務印書館.
-
(清)郭慶藩(2001).莊子集釋.新北:頂淵文化事業有限公司.
-
(漢)桓寬,王利器(校注)(1983).鹽鐵論校注.天津:天津古籍出版社.
-
(漢)班固(1977).漢書.臺北:鼎文書局.
-
(魏)阮籍,陳伯君(校注)(2013).阮籍集校注.北京:中華書局.
-
(魏)嵇康,戴明揚(校注)(1978).嵇康集校注.臺北:河洛圖書出版社.
-
王建宏(2009)。魏晉薄葬形成的原因考述。傳承,2009(2),98-99。
-
江建俊(2009).于有非有,于無非無:魏晉思想文化綜論.臺北:新文豐出版股份有限公司.
-
余嘉錫(2007).世說新語箋疏.北京:中華書局.
-
苗嶺(2015)。漢畫像羽人圖像的演化研究。藝術科技,2015(1),119。
-
党超(2018)。漢代厚葬原因的再探討。史學月刊,2018(7),130-133。
-
商原李剛(2006)。墨家「節葬」的制度設計理念。山東社會科學,2006(9),61-65。
-
賀西林(2010)。漢代藝術中的羽人及其象征意義。文物,2010(7),46-56。
-
黃雲鶴(2004)。魏晉時期薄葬思想探析。北華大學學報(社會科學版),5(3),22-26。
-
楊伯峻(1987).列子集釋.臺北:華正書局.
-
樓宇烈(2006).王弼集校釋.臺北:華正書局.
-
蔡明倫(2002)。魏晉薄葬原因探析。湖北師範學院學報(哲學社會科學版),22(2),7-10。
-
蕭公權(1982).中國政治思想史.臺北:聯經出版事業股份有限公司.
-
韓國河(1998)。論秦漢魏晉時期的厚葬與薄葬。鄭州大學學報(哲學社會科學版),31(5),94-102。
|