裸身於靜物台上的實踐與反思

A Naked Model's Reflection and Practice on the Still Life Table

陳羿茨(Yi-Tzu Chen)

人體魔朵人體模特兒 ； 人體畫劇班 ； 互為主體 ； Naked model ； nude team ； subjectivity

應用心理研究

35期（2007 / 09 / 01）

137 - 152

繁體中文

這篇文章是我從事三年「人體魔朵（人體模特兒）」工作的體會與感受，希望透過我的觀察與反思能讓大家對「人體魔朵」與人體繪畫有更深入的理解，並且嘗試動搖大眾對人體工作的刻板印象。文中敘述了：畫者與「人體魔朵」在「被畫」與「畫被看」的過程中相互理解與彼此展演的過程、畫家和「人體魔朵」如何共同創造出藝術而非色情的專業印象、作為「人體魔朵」的我如何以一己之力在工作與生活中為這份工作形塑專業印象、由供需觀點嘗試闡述藝文欣賞者與畫家和魔朵間的共存關係。最後，我也紀錄了自己裸身於靜物台上的心境轉變，由坦蕩、具戰鬥力、到無助，以至到後來再重新燃起能量的心路歷程。

I tried to write down what I experienced and felt as a naked model for three years in this paper, and I hope you can know naked model and the nude much more. And I would also like to challenge the stereotype of the job which is related to naked body. In this paper I describe: the process of the mutual understanding and performing of the painters and the naked model when the painters paint the naked model and the naked model look back at what the painters drew; the way of how the painters and the naked model create the professional art impression jointly; as a naked model, what do I do in daily life and at work to construct the professional impression of this job; interpreting the collective relationship of the audience, the painter, and the naked model in the perspective of the supply and demand. And in the last part, I wrote down my own transformation of being a naked model. The transformation goes through from being open, proud and aggressive into helpless, and then to reignite the energy again.

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2. 蔣勳(2003)。西洋美術史。台北東華書局。