题名 |
試論宦遊文人與本土文人的海洋書寫差異—以清代臺灣八景詩為例 |
并列篇名 |
A discussion on the differences between the eunuchs and local writers in writing about the sea-the eight scenic poems of Taiwan in the Qing Dynasty as an example |
作者 |
鄭佳迎(TAY, KAH-YIN) |
关键词 |
臺灣八景詩 ; 海洋書寫 ; 宦遊文人 ; 本土文人 ; Taiwan's Eight Scenic Poems ; Marine Writing ; Eunuch Literati ; Local Literati |
期刊名称 |
輔大中研所學刊 |
卷期/出版年月 |
47期(2024 / 05 / 01) |
页次 |
1 - 20 |
内容语文 |
繁體中文;英文 |
中文摘要 |
二十世紀以來,對於臺灣海洋文學的研究主要關注於當代文學,而對於臺灣海洋古典詩的研究較為薄弱。明清時期,臺灣海洋古典詩的創作逐漸增加,其中以臺灣八景詩的海洋詩創作最為豐富。不同於明清初期渡海來臺的海洋書寫多是對海洋恐懼和憂慮的描繪,在八景詩中,對於海洋的描寫則是壯美且結合人文景觀的。其中,宦遊文人和本土文人在海洋書寫創作中面對海洋的心態和視角有所差異。前者將海洋描述成飽含政治想像、思鄉行旅、閒情逸致的場景,後者則以關注漁家風光、海洋奇觀、仕途想像為主要的創作內容。透過以上分析,可見兩者在八景詩中對於觀望海洋的心態和關注視角有所差異。 |
英文摘要 |
Since the twentieth century, research on Taiwan's marine literature has focused on contemporary literature, while research on Taiwan's classical marine poetry has been relatively weak. During the Ming and Qing dynasties, the creation of classical Taiwanese marine poetry gradually increased, with the eight scenic poems of Taiwan being the most prolific. Unlike the early Ming and Qing dynasties, when most of the marine writings were written with fear and anxiety about the ocean, the eight scenic poems portrayed the ocean in a magnificent and humanistic way. Among them, there are differences in the mentality and perspectives of the eunuchs and local writers in their marine writing. The former described the ocean as a scene full of political imagination, homesickness, and leisure, while the latter focused on fishermen's scenery, marine wonders, and career imagination as the main creative content. Through the above analysis, it can be seen that the two poems differ in their mentality and perspective on the ocean. |
主题分类 |
人文學 >
語言學 人文學 > 中國文學 |