题名

融入博物館視覺表徵的美術資優教育:從多元智能理論角度探析

并列篇名

Art Talented Education of Integrating Museum Visual Representations Based on Theory of Multiple Intelligences

DOI

10.6218/GEQ.2014.131.29-37

作者

李佳蓉(Chia-Rong Lee)

关键词

博物館視覺表徵 ; 多元智能 ; 美術資優教育 ; museum visual representations ; multiple intelligences ; art talented education

期刊名称

資優教育季刊

卷期/出版年月

131期(2014 / 06 / 01)

页次

29 - 37

内容语文

繁體中文

中文摘要

潛藏於視覺影像內之視覺表徵非人人均可順利解讀,創造力也是未來世界公民重要基礎能力,更是鑑別美術資優潛能的重要指標。當今教育也不再只限於學校教育,其領域也逐漸擴及社會教育、博物館教育。因此,美術資優教育應可因應社會變遷與多元教育觀,試圖結合博物館展示,在教學中教導學生對視覺表徵解碼與建構,啟發美術資優生之優勢智能,依此來強化當今美術資優教育。故本文提出以多元智能為核心,融入博物館視覺表徵的美術資優教育,主張從兩方面來加以努力:(1)慎選蘊含符號學之視覺表徵與珍視個別智能的差異;(2)運用多元智能之教學策略與建構學生後設認知及創造能力。最後,總結相關討論,期能提供美術資優教育界參考。

英文摘要

Visual representations can not interpret for all people successfully and is hidden in the visual images. Creativity is a basic capability for the future world's citizens to in the future and also to evaluate the art talented potential. In addition, today's education is no longer confined to school education, which extended the field to social education and museum education. Therefore, art talented education should follow social change and the multiple development of education, trying to combine the museum exhibition, and teaching students to decode and construct visual representations. It is the foundation of strengthening art talented education. The paper as the core of multiple intelligences aims to integrate museum visual representations into art talented education. There are two major approaches: (1) to choose the semiotics of visual representations carefully and to esteem the difference intelligent; and (2) to apply teaching strategies of multiple intelligences and to construct students' "metacognitive ability" and creativity. Finally, the paper concludes with discussion and advices for art talented education.

主题分类 社會科學 > 教育學
参考文献
  1. 王文伶(2010)。多元智能模式的資優課程設計:從本土實證研究角度探析。資優教育季刊,115,25-31。
    連結:
  2. 吳秉叡(2011)。從創造認知觀點看創造能力優異學生之甄選。資優教育季刊,118,15-24。
    連結:
  3. 李佳蓉(2013)。視覺思考策略對美術資優教育之啟示。資優教育季刊,129,31-39。
    連結:
  4. 張昇鵬(2003)。資賦優異學生與普通學生後設認知能力與創造力思考能力之比較研究。特殊教育學報,17,95-120。
    連結:
  5. 陳瓊花(2012)。創造力的載體:從「創意表現」探討創造力具體化的圖像類型、表現策略及其意涵。資優教育論壇,11(1),43-72。
    連結:
  6. 廖新田(2008)。觀看的層次─視覺文化、視覺社會學與視覺方法批判。藝術學報:表演類(革新版),83,215-236。
    連結:
  7. 趙惠玲(2005)。台灣地區兒童與青少年視覺影像反應研究。藝術教育研究,9,33-70。
    連結:
  8. Armstrong, T.(2000).Multiple intelligences in the classroom.VA:Association for Supervision and Curriculum Development.
  9. Barthes, R.(1977).Image-Music-Text.London:Fontana.
  10. Boughton, D.(2004).Learning visual culture: the important relationship of curriculum and assessment.NTAEC,4(2),76-90.
  11. Davis, J.(1997).The Muse guide : A training manual for using Muse tools.Cambridge, Mass:Harvard Graduate School of Education.
  12. Eckhoff, A.(2008).The importance of art viewing experiences in early childhood visual arts: the exploration of a master art teacher's strategies for meaningful early arts experiences.Early Childhood,35,463-472.
  13. Efland, A.(2002).Art and cognition: Integrating the visual arts in the curriculum.New York:Teachers College.
  14. Eilam, B.,Ben-Peretz, M.(2010).Revisiting curriculum inquiry: the role of visual representations.Curriculum Studies,32(6),751-774.
  15. Eisner, E. W.(1970).Curriculum development: Sources for a foundation for the field of curriculum.Curriculum Theory Network,5,3-15.
  16. Eisner, E. W.(Ed.),Day, M. D.(Ed.)(2004).Handbook of research and policy in art education.Mahwah, New Jersey:Lawrence Erlbaum Associates, Inc., Publishers.
  17. Eubanks, P.(2012).Interdisciplinary Study : Research as Part of Artmaking.Art Education,65(2),48-53.
  18. Falk, J.,Dierking, L.(2002).Lessons without Limit how Free-choice Learning is Transforming Education.NewYork:AltaMira.
  19. Gardner, H.(1991).The unschooled mind: How children think and how schools should teach.New York:Basic Books.
  20. Gardner, H.(1983).Frames of mind: The theory of multiple intelligences.New York:Basic Books.
  21. Gardner, H.(1993).Multiple intelligences: The theory in practice.New York:Basic Books.
  22. Gardner, H.(1999).Intelligence reframed.New York:Basic Books.
  23. Greene, M.(2001).Variations on a blue guitar- the Lincoln Center Institute lectures on aesthetic education.New York:Teachers College, Columbia University.
  24. Hein, G.(1998).Learning in the museum.New York:Routledge.
  25. Liu, S. F.,Lee. A. S.,Lin, J. Y.,Liang, Y. W.,Su, W. C.(2010).A study the difference in image memory and preference between male and female visual cognition.International Journal of Organizational Innovation,3,114-128.
  26. Mackinnon, D.W.(1978).In search of human effectiveness.Buffalo, N.Y:Creative Education Foundation.
  27. Moran, S.,Kornhaber, M.,Gardner, H.(2006).Orchestrating Multiple Intelligences.Teaching to Student Strengths,64(1),22-27.
  28. Newsom, B. Y.,Silver, A. Z.(1978).The Art museum as educator: A collection of studies as guides to practice and policy.Berkeley, CA:University of Californias.
  29. Perkins, D.(1994).Learning to think by looking at art.LA:Gerry Publications.
  30. Roukes, N.(1998).Design synectics.Worchester, MA:Davis Publications.
  31. Sonja, A.,Susanne, B-N.,Martina, D.,Sivbritt, D.,Victoria, M.,Tove, W.(2010).Interdisciplinary Education in Comprehensive School: Can a Deep Understanding Occur?.US-China Education Review,7(9),34-46.
  32. Stemberg, R. J.(Ed.)(1988).The nature of creativity.New York:Cambridge University Press.
  33. Stokrocki, M.(2001).Go to the mall and get all: Adolescents' aesthetic values in the shopping mall.Art Education,54(2),18-23.
  34. Sturken, M.,Cartwright, L.(2001).Practices of looking: An introduction to visual culture.New York:Oxford University Press.
  35. Torrance, E. P.(1972).Can we teach children to think creatively?.The Journal of Creative Behavior,6,114-143.
  36. 李心瑩譯、Gardner, H.(2000)。再見多元智慧。臺北:遠流。
  37. 林千鈴(2009)。畫不像的畫像。臺北:天下。
  38. 林心如譯、Kornhaber, M.、Fierros, E.、Veenema, S.(2005)。活用多元智慧—哈佛零方案MI研究成果:41所學校的成功經驗與最佳課程範例。臺北:遠流。
  39. 柯志恩、黃一庭(2010)。圖像優於文字?N世代學生認知發展之探究。教育研究月刊,193,15-23。
  40. 胡郁珮(2014)。開啟多元智能的統整性視覺藝術教學方案之研究。教育研究學報,48(2),71-100。
  41. 國立編譯館譯、Gardner, H.(2008)。多元智能。臺北:五南。
  42. 張靖卿(2013)。談成功智能理論在評量與教學上之應用。資優教育季刊,126,13-21。
  43. 教育部(2003)。創造力教育政策白皮書
  44. 劉婉珍(2002)。美術館教育理念與實務。臺北:南天。
  45. 盧台華(2009)。創意表現對美術資優教育之意義與啟發─以臺北縣國中為例。資優教育季刊,111,1-7。