杜甫五律拗聯析論

The thesis of the ＂Wu-lu-ao- lian＂ poetry of Du Fu

黃輝平(HUANG, HUI-PING)

杜詩 ； 五律 ； 拗救 ； 拗聯 ； 聲調譜 ； the poetry of Du Fu ； Wu-lu ； Ao-jiu ； Ao-lian ； Tonal patterns

東吳中文研究集刊

24期（2018 / 10 / 01）

161 - 173

繁體中文

杜甫自道：「詩是吾家事」，且將詩歌創作等同個人生命。律詩在全部杜詩中佔有極重要的地位，也是唐代律詩藝術最高成就的體現者，影響後來宋詩發展極深。本文欲探討杜甫五律拗聯藝術上取得的造詣，除讚賞杜詩在古典詩歌發展過程中的重要地位之外，更在告訴現今文人詩家，律詩寫作仍有「平起聯」的拗救方式可資運用，不必再為清代以降專研「近體詩聲調譜」的成說所囿。

Du Fu, a prominent Chinese poet, said ＂Poetry has a significant influence on our family＂, and devoted his life to poem-composing. Among the poetry composed by Du Fu, Lushi played an important role and was the representative of the magnificent Lushi art in Tang dynasty. Later on, it led to the development of poetry in Song dynasty. This thesis is going to explore Du Fu's artistic attainments in ＂Wu- lu- aolian＂. Besides admiring the important role Du Fu's poetry played in the developing process of classic poetry, it tends to tell the contemporary poets the application of ＂ ao-jiu＂ form for ＂ping-qi-lian＂ in Lushi writing, it can avoid the limitation of ＂ the tonal pattern for jin-ti-shi＂ which has been studied since Qing dynasty.

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