题名

藍染產品的愉悅感與懷舊感分析

并列篇名

Analysis of Pleasure and Nostalgia in Products of Indigo Dyeing

DOI

10.30105/JDS.201807_21(1).0004

作者

呂佳珍(Chia-Chen Lu);張淵然(Yuan-Zan Chang);柯耀宗(Yao-Tsung Ko);陳詩捷(Shih-Chieh Chen)

关键词

藍染顏色 ; 圖紋設計 ; 涉入程度 ; 懷舊感 ; 愉悅感 ; Indigo Color ; Indigo Pattern ; Involvement ; Pleasure ; Nostalgia

期刊名称

設計學研究

卷期/出版年月

21卷1期(2018 / 07 / 01)

页次

65 - 82

内容语文

繁體中文

中文摘要

藍染這項傳統古老的手工藝,已成為現今具有情感與傳統生活特色意涵的文化商品,為能了解藍染與消費者情感之關係,本研究目的聚焦於藍染産品的涉入程度、顏色及圖紋設計對消費者愉悅感與懷舊感的影響,企圖了解消費者情感之因素。研究首先邀請藍染手工藝專家進行個別的深入訪談,接著再以問卷進行消費者調査,結果經由190份有效問卷進行三因子混和設計分析顯示,涉入程度越高的受測者對於藍染產品的愉悅感以及懷舊感感受程度越高,高、中、低三者涉入程度之間具有顯著性差異。在藍染圖紋部份,夾染與型糊染的圖紋設計均較鏠紮染具有顯著且較高的愉悅感及懷舊感。但在顏色部份,雖然平均數顯示深色較淺色的藍染具有較高愉悅感及懷舊感,但統計上並未有顯著的差別,研究分析將於研究中討論,研究結果提出不同涉入程度的消費市場需求,促進藍染文化商品設計。

英文摘要

Indigo dyeing, this traditional old crafts have been turned into cultural commodities nowadays with features of traditional life and emotions. In order to understand the relationships between Indigo dyeing and consumer needs, this paper aims at examining the influence of Indigo dyeing colors and patterns on pleasure and nostalgia feeling in different involvement degrees of consumers. The experts in indigo dyeing handicraft were invited to lead an individual in-depth interviews at first, and then the consumer surveys were conducted. The results with 190 valid questionnaires were analyzed by three-factor mixed design. The results show that participants with higher degree of involvement have higher degree feeling of pleasure and nostalgia. The high, middle, and low degree of involvement have significant differences. Regarding the pattern of indigo dyeing, both folders dyeing and paste dyeing have significant higher degree feeling of pleasure and nostalgia than seam tie dyeing. Regarding the color of indigo dyeing, although the average scores of dark blue dying exhibit higher degree feeling at pleasure and nostalgia than light blue dyeing, the statistic comparisons are no differences. Further analyses are discussed in this paper and some suggestions for the consumer involvement and marketing needs are discussed to facilitate the indigo dyeing design at culture products.

主题分类 人文學 > 藝術
参考文献
  1. 付晶(2012)。論情緒體驗核心成分是感官感受情感成分的條件。應用心理研究,55,215-250。
    連結:
  2. 許媁鈞、林晏州(2015)。環境色彩組成與調和對情緒體驗與景觀偏好之影響。戶外遊憩研究,28(3),37-60。
    連結:
  3. 陳俊智、謝函潔(2013)。應用Refined Kano Model探討客家文化商品設計魅力因子。文化創意產業研究學報,3(3),109-118。
    連結:
  4. 廖淑容(2016)。客家文化商品消費價值與認知之研究。建築與規劃學報,17(1),53-74。
    連結:
  5. 蔡明達、許立群(2007)。建構懷舊感量表之研究─以地方老街為例。行銷評論,4(2),163-186。
    連結:
  6. Abrego, S.(2018).Cone mills denim: An investigation into fabrication, tradition, and quality.Fashion Theory,1-16.
  7. Ackbar, A.(1997).Hong Kong: Culture and the Politics of Disappearance.Minneapolis, MN:University of Minnesota Press.
  8. Baker, M. S.,Kennedy, F. P.(1994).Death by nostalgia: A diagnosis of context-specifi cases.Advances in Consumer Research,21,169-174.
  9. Belk, W. R.(1990).The role of possessions in constructing and maintaining a sense of past.Advances in Consumer Research,17,669-676.
  10. Davis, F.(1979).Yarning for Yesterday.New York, NY:The Free Press.
  11. Freedman, J. L.(1964).Involvement, discrepancy and change.Journal of Abnormal and Social Psychology,69(3),290-295.
  12. Gray, D.,Farrington, J.,Shaw, J.,Martin, S.,Roberts, D.(2001).Car dependence in rural scotland: Transport policy, evolution and the impact of the fuel duty escalator.Journal of Rural Studies,17(1),113-125.
  13. Holak, L. S.,Havlena, J. W.(1998).Feelings, fantasies, and memories: An examination of the emotional components of nostalgia.Journal of Business Research,42(3),217-226.
  14. Hsu, T. M.,Welner, D. H.,Russ, Z. N.,Cervantes, B.,Prathuri, R. L.,Adams, P. D.,Dueber, J. E.(2018).Employing a biochemical protecting group for a sustainable indigo dyeing strategy.Nature Chemical Biology,14,256-261.
  15. Jordan, W. P.(2000).Designing Pleasurable Products: An Introduction to the New Human Factors.Philadelphia, PA:Taylor & Francis.
  16. Kandinsky, W.(2014).Concerning the Spiritual in Art.New York, NY:Dover Publishcations, Inc.
  17. Schiffman, L.,Kanuk, L.(2000).Consumer Behavior.Englewood Cliffs, NJ:Prentice-Hall.
  18. Tiger, J. L.(1992).The Pursuit of Pleasure.Boston:Little, Brown & Company.
  19. Zaichkowsky, J. L.(1985).Measuring the involvement construct.Journal of Consumer Research,12,341-352.
  20. Zaichkowsky, J. L.(1994).The personal involvement inventory: Reduction, revision and application to advertising.Journal of Advertising,23(4),59-70.
  21. 李長俊譯、Arnheim, R.(1993)。藝術與視覺心理學。台北:雄獅圖書。
  22. 林青玫、林卿慧、鄭庭歡(2017)。藍染工藝圖紋設計與服裝應用之探討─以蠟染為例。華岡紡織期刊,24(2),66-71。
  23. 林青玫、蕭淑華、林卿慧、姚亦庭、黃于恬(2009)。台灣藍染文化與服飾設計之應用。華岡紡織期刊,16(2),191-200。
  24. 林書堯(1993)。色彩學。台北市:三民書局。
  25. 范家榮(2011)。創意老師方案執行與分析:以代間藝術方案例。台灣老年學論壇,6,1-25。
  26. 馬芬妹(2007)。台灣藍青木情─植物藍靛染色技藝手冊。南投縣:國立臺灣工藝研究所。
  27. 馬芬妹(1999)。青出於藍─台灣藍染技術系譜與藍染工藝之美。南投縣:國立臺灣工藝研究所。
  28. 國立台灣工藝研究中心(2018),〈工藝基因庫〉,網址:https://www.ntcri.gov.tw/dnalist_196_82.html (上網日期: February 9, 2018)
  29. 陳景林、馬毓秀(2004)。大地之華─台灣染色事典。台中縣:台中縣立文化中心。
  30. 葉至誠、葉立誠(2000)。研究方法與論文寫作。台北市:商鼎。
  31. 榮泰生(1999)。消費者行為。台北:五南圖書出版公司。
  32. 漢聲雜誌編(1997)。夾纈─中國土布系列。漢聲雜誌,108
  33. 蕭明瑜(2011)。文化創意與設計轉化案例解析。朝陽設計學報,19,69-91。