英文摘要
|
Viewing the developed countries, especially those with long history such as the U.K., the Netherlands, Germany, and Japan, have many creativities in their daily commodities. Such creativities derive from the culture and experiences of the countries, which even extend to become of their cultural creativity industry. "Localization is globalization" has also become an identifiable international image formed by the local culture elements. Under the influence of Chinese culture, Taiwan has developed a strong reflection of Confucianism and Taoism. The self-awareness of local culture has been rising in this generation. In this article, it is hoped to discuss whether a set of design and creation methods based on the thinking of Chinese culture can be developed. The concept of Laozi and Zhuangzi are the focus in this creation study, taking "acting by not interfering" to verify a practical design theory. Firstly, the essential ideas of concept of Laozi and Zhuangzi are discussed with literatures, concluding the 5 ideas of "oneness", "non-action", "gentleness", "styleless", and "transcendence" as the bases for design method. Furthermore, the design method of these 5 ideas is applied to my work, which is named as "Yi Jing". For this work, instead of plaster, the corrugated fiberboards are firstly used as the mold for infusing ceramic paste, making texture of the material merging with that of the mold. As the work is created by the creator, the unique sense of "Purity" is presented. Thereafter, the correlation between the design methods and the concept of Laozi and Zhuangzi is verified and concluded. It is hoped that this creation study can be taken as a reference for contemporary original creation theory as well as for creation aesthetics development. Other designers can consider it as another way for presenting the concept of Laozi and Zhuangzi in product design and express the basis of design theory in contemporary originality.
|
参考文献
|
-
王鴻祥,洪瑞麟(2011)。文化商品的隱喻設計模式。設計學報,16(4),35-54。
連結:
-
林榮泰(2011)。序。文化創意產業的本質與研究。設計學報,16(4),i-iv。
連結:
-
Beck,U.(1999).World Risk Society.England:Cambridge Polity Press.
-
Ohmae, K.(1990).The Borderless World: Power and Strafegy in the Interlinked Economy.New York:Harper Business.
-
Robertson, R.(1992).Globalization: Social They and Global Cultue.London:Sage.
-
王向遠(譯),Ohnishi, Y.(2018).物哀:櫻花落.新北市:不二家.
-
史作檉(2006).中國哲學精神溯源.台北:理得出版有限公司.
-
江啟臣,范凱云(2007)。從全球在地化研析台灣的國際接軌。研考雙月刊,31(5),16。
-
何明泉,林其祥,劉怡君(1996)。文化商品開發設計之構思。設計學報,1(1),1-15。
-
李啟彰(譯),李文茹(譯),柳宗悅(2018).茶與美.台北市:日日學文化.
-
郭家瑋(2017)。大同大學設計科學研究所。
-
勞思光(1981).新編中國哲學史(一).台北:三民書局.
-
馮冠超(2014),〈從日本文創看台灣未來發展〉,網址:http://www.canlju.com/index.php?option=com_content&view=article&id=663:2017-10-12-02-31-19&catid=70:2014-08-25-08-16-01&Itemid=219 (上網日期:August 25, 2014)
-
楊國德(2004)。紮根本土放眼全球:以全球在地化觀點規劃開放的社區學習體系。成人及終身教育,5,3-10。
-
蔡美淑(譯),Koren L.(2011).WABI SABI給設計者、生活家的日式美學基礎.台北:行人文化實驗室.
|