英文摘要
|
Postmodernism impacts many aspects of the culture, including architecture. Perspectives which feature both native humanistic features and local characteristics for Taiwanese school architecture become more and more commonly. Also, architectural standard drawings are transformed into drawings with school’s specific features. In the era of globalization, aesthetics has become a significant study. Aesthetics affects life quality, industries and countries' competitiveness. Putting aesthetics into practice on campus and enhancing the aesthetic quality constantly to keep up with culture pulse are perfectly definite goals. The executing process should be based on the essence of the triple administrative system which includes planning, execution and assessment. Aesthetics should be involved in the sections of planning and execution in order to put aesthetics into practice on campus. School's art-related members deal with communicating and coordinating among administrative units and firms so as to make drawings contain the metaphor of school's humanistic spirit, curriculum characteristics and postmodernism thinking. In addition, the members ensure aesthetic contents and the quality in perfect performance. The analysis of campus aesthetic environments, which is on the basis of Charles W. Morris's semiotic theory is divided into three categories of syntactics, semantics and pragmatics. The analysis can be used to become the opportunity for further interpretation. Syntactics contains the rules of semiotic construction. Semantics contains semiotic meanings and values. Pragmatics is relevant to internal and external factors, and all these factors influence the performance of semiotics. Postmodern aesthetic campus environment not only provides aesthetic experiences to individuals, but also brings the complete meaning of the experiences of art through the process of interpretation.
|
参考文献
|
-
殷寶寧, P.-N.(2012)。博物館建築空間文化表徵之生產與詮釋:以中國陝西博物館為個案。建築學報,79,105-130。
連結:
-
陳榮華, W.-W.(2007)。從語言的中介性論高達美的意義理論-兼論本質主義與反本質主義。臺大文史哲學報,66,153-178。
連結:
-
陳榮華, W.-W.(2003)。海德格與高達美哲學的提問(Fragen)與思考(Denken)。臺大文史哲學報,58,183-209。
連結:
-
劍橋詞典(2022)。Sign 中文(繁體)翻譯。劍橋大學出版社。https://dictionary.cambridge.org/zht/%E8%A9%9E%E5%85%B8/%E8%8B%B1%E8%AA%9E-%E6%BC%A2%E8%AA%9E-%E7%B9%81%E9%AB%94/sign [Cambridge Dictionary. (2022). Translation of Sign in Traditional Chinese. Cambridge University Press. https://dictionary.cambridge.org/zht/%E8%A9%9E%E5%85%B8/%E8%8B%B1%E8%AA%9E-%E6%BC%A2%E8%AA%9E-%E7%B9%81%E9%AB%94/sign]
-
Angus, E. A.(2020).University of North Texas.
-
Destrée, P.(2021).Aristotle’s Aesthetics.Stanford Encyclopedia of Philosophy
-
Gadamer, H.-G.,Weinsheimer, J.(Trans.),Marshall, D.(Trans.)(1989).Truth and Method.Crossroad.
-
Hagman, G.(2005).Aesthetic Experience : Beauty, Creativity, and the Search for the Ideal.Amsterdam:Brill.
-
Hassan、 I. H.,劉象愚(譯), X.-Y.(Trans.)(1993)。後現代的轉向:後現代理論與文化論文集
-
Heid, K.(2005).Aesthetic Development: A Cognitive Experience.Art Education,58(5),48-53.
-
Jameson, F.(1998).The Cultural Turn: Selected Writings on the Postmodern 1983-1998.Verso.
-
Jameson, F.(1991).Postmodernism, or, the Cultural Logic of Late Capitalism.Verso.
-
Jencks、 C.,吳介禎(譯), C.-C.(Trans.)(1998).後現代建築語言.田園城市文化=Garden City.
-
Kant, I.,Pluhar, W.(Trans.)(1987).Critique of Judgment.Indianapolis:Hackett.
-
Lyotard, J,-F.,Bennington, G.(Trans.),Massumi, B.(Trans.)(1984).The Postmodern Condition: A Report on Knowledge.University of Minnesota Press.
-
Lyotard、 J.-F.,車槿山(譯), C.-S.(Trans.)(2019).後現代狀態:關於知識的報告.五南=Wu Nan.
-
Malpas, S.(2002).Jean-François Lyotard.Taylor & Francis Group.
-
Morris, C. W. (1938). Foundations of the Theory of Signs. International Encyclopedia of Unified Science. 1(2). The University of Chicago.
-
Morris, C.W. (1939). Esthetics and the Theory of Signs. The Journal of Unified Science 8, 131-150. Springer. https://doi.org/10.1007/BF00176021
-
Stalnaker, R.(1981).Logical Semiotic.Modern Logic - A Survey
-
老硪, E.(2007).後現代建築.揚智文化=Yang Chih.
-
李安邦, A.-B.(2020)。李安邦(2020,6 月 1 日)。個人攝影作品。 [Li, A.-B. (2020, June 1). Personal Photography.]。
-
李安邦, A.-B.(2021)。李安邦(2021,12 月 4 日)。個人攝影作品。 [Li, A.-B. (2021, December 4). Personal Photography.]。
-
李克寰, K.-H(2013)。海德格爾論藝術、語言與教育。教育學刊,40,37-68。
-
沈清松, C.-S.(1993)。從現代到後現代。哲學雜誌,4,4-25。
-
林逢祺, F.-C.(1998)。美感經驗與教育。教育研究集刊,7(41),155-170。
-
泓育國際(2021)。【110 政府標案】桃園市中壢區內壢國民小學(一期)內壢國小兒童遊戲場改善計畫。https://www.babybuild.com.tw/2021/11/110_22.html [BabyBuild. (2021, November 22). (Government’s Tenders in 2021) The Improvement Plan of Nei-Li Primary School’s Playground (1st). https://www.babybuild.com.tw/2021/11/110_22.html]
-
高宣揚, H.-Y.(2016).後現代論.中國人民大學出版社=China Renmin University Press.
-
張文軍, W.-C.(1998).後現代教育.揚智文化=Yang Chih.
-
張鼎國, T.-K.(2011).詮釋與實踐.政大出版社=Chengchi University Press.
-
陳榮華, W.-W.(2011).高達美詮釋學:《真理與方法》導讀.三民=San Min.
-
陳瓊花, C.-H.(2014)。建構校園美學之道:空間美與人文美的交織與共生。教育研究月刊,237,20-30。
-
曾月紅, Y.-H.(2005)。讀者角色的轉換—以記號學為教育理論的基礎。師大學報,50(1),79-100。
-
湯志民(編), C.-M.(Ed.)(2013).後現代教育與發展.高等教育=Higher Education.
-
湯志民, C.-M.(2022).學校建築規劃:理論與實務.五南=Wu Nan.
-
黃壬來(編), R.-L.(Ed.)(2002).藝術與人文教育.桂冠=Laureate Book.
-
黃瑞祺(編), R. R.-C.(Ed.)(2002).現代性後現代性全球化.左岸文化=Rive Gauche.
-
詹棟樑, T.-L.(2002).後現代主義教育思潮.國立編譯館=National Institute of Translation and Compilation.
-
趙惠玲, H.-L.(2005).視覺文化與藝術教育.師大書苑=Shtabook.
-
劉千美, C.-M.(2000).藝術與美感.臺灣書店=Taiwan Book Store.
-
劉千美, C.-M.(2001).差異與實踐:當代藝術哲學研究.立緒文化=New Century.
-
劉昌元, C.-Y.(2005).西方美學導論.聯經=Linking.
-
潘德榮, T.-J.(1999).詮釋學導論.五南=Wu Nan.
-
蔡錚雲, C.-Y.(1993)。後現代的哲學論述是如何可能的?德里達對胡賽爾現象學的解構。哲學雜誌,4,50-66。
-
鄭金川, J.-C.(1993).梅洛-龐蒂的美學.遠流=Yuan-Liou.
-
鄭祥福, H.-F.(1999).後現代主義.揚智文化=Yang Chih.
-
鄭祥福, H.-F.(1995).李歐塔.生智=Sheng-Chih.
-
謝文全, W.-C.(1993).學校行政.五南=Wu Nan.
-
龔卓軍, C.-C.(2006).身體部屬-梅洛龐帝與現象學之後.心靈工坊文化=Psygarden.
|