题名

造形複雜度認知與視覺記憶關係之探討

并列篇名

A Study on the Complex Cognition of Shape with Reference to Shape Memory

DOI

10.6381/JD.200612.0099

作者

蕭坤安(Kun-An Hsiao)

关键词

視覺認知 ; 造形複雜度 ; 造形記憶 ; 造形設計 ; Shape memory ; Shape complexity ; Recognition and memory of shape ; Shape design

期刊名称

設計學報

卷期/出版年月

11卷4期(2006 / 12 / 01)

页次

99 - 111

内容语文

繁體中文

中文摘要

本研究是從視覺認知的角度對於造形複雜程度與視覺記憶作基礎性的探討。受測者被要求記憶一個刺激造形,並在另外的9個干擾刺激造形中挑選出完全相同的造形出來。在造形複雜程度的評估上,是以觀察者對於刺激造形的記憶結果正確性作分析。從分析探討中得到以下幾項結果:1.隨著基本造形單元個數的增加會讓造形的複雜性增高,造成造形記憶的困難。2.在幾何造形上,受測者於5個單元造形個數內,對於造形的記憶仍未達其能力的臨界值;不規則單元造形個數超過2個以上時,受測者在造形記憶上其困難度顯著升高。3.隨著造形邊數的增加,受測者對於造形記憶會越困難;在具造形組合手法的造形上亦然。4.受測者是否具有造形設計背景並不會顯著影響造形的記憶。5.造形的類型及單元造形個數這兩項因素對於受測者的造形記憶有顯著影響;至於在各因素的交互作用上,只有造形的類型及單元造形個數這兩項的交互作用達顯著標準,其他組合的交互作用則不顯著。不同的造形組合手法對於造形的記憶有顯著影響。

英文摘要

This study is a fundamental approach of shape complexity with regard to shape memory. Participants were asked to recognize and memorize one shape stimulus, then to select the same shape from another nine random shapes. We use subjects' correct answer rate of recognition memory task to evaluate the degree of shape complexity. The results showed that: 1.The shape complexity rose following the increase number of sub-shape that contained in whole shape. 2. For geometric shapes, below five sub shapes, the shape memory tasks still did not reach the threshold of subjects' ability. For irregular shapes, when the shape contain more than two sub shapes, it became difficult to memory the shapes for subjects. 3. Shape complexity rose according to the increase of edge number of whole shape. 4. The design background did not influence the shape memory task significantly. 5. The shape's type and number of sub-shape significantly influence shape memory task. Their interactive effect significantly influence shape memory task too. Other factors and interactions have no significant influence. The shapes with arrange method by rule have significantly influences for shape memory task.

主题分类 人文學 > 藝術
社會科學 > 傳播學
参考文献
  1. 蕭坤安、陳建雄(2003)。造形影響辨識與記憶之研究。設計學報,8(1),83-96。
    連結:
  2. (1981)。辭海。台灣中華書局。
  3. Birkhoff, G. D.(1933).Aesthetic Measure.Cambridge, Mass.:Harvard University Press.
  4. Chambers, K. W.,Mcbeath, M. K.,Schiano, D. J.,Metz, E. G.(1999).Tops Are More Salient than Bottoms.Perception & Psychophysics,61(4),625-635.
  5. Della Thompson (Ed.)(1995).The Concise Oxford Dictionary.New York:Clarendon press.
  6. Doane, S. M.,Sohn, Y. W.,Schreiber, B.(1999).The Rrole of Processing Strategies in The Acquisition and Transfer of A Cognitive Skill.Journal of Experimental Psychology: Human Perception and Performance,25(5),1390-1410.
  7. Complexity International
  8. Olivers, C. N. L.,Van Der Helm, P. A.(1998).Symmetry and Selective Attention: A Dissociation between Effortless Perception and Serial Search.Perception & Psychophysics,60(7),1101-1116.
  9. Webster's(1986).New International Dictionary of The English Language.
  10. 鄭昭明(1993)。認知心理學-理論與實踐。台北:桂冠。
被引用次数
  1. 衛萬里,陸美婷(2019)。產品造形屬性對視覺複雜度與消費者偏好之影響。設計學報,24(2),49-69。
  2. 楊喻捷、傅銘傳、孫慶文(2018)。漢字造形之促發再認實驗研究。藝術學報,102,41-63。
  3. 張照聆、林品章(2009)。圖像傳達系統化之理論基礎。設計學研究,12(2),45-68。
  4. (2011)。從設計史與設計理論探討產品設計之減法思維。樹德科技大學學報,13(1),97-116。