專業策展人才養成：以美國藝術育才策略為例

The Cultivation of Curators: Examining the US Principles and Standards

林廷宜(S. Ting-Yi Lin)

專業策展人 ； 人才培育 ； 教育標準 ； Curators ； Cultivation Programs ； Education Standard

設計學報

18卷4期（2013 / 12 / 01）

23 - 40

繁體中文

博物管理與專業策展人除了擁有專業領域的知識，更結合美學、設計學與學習理論等共同能力，人才培育尚且不易，而要集合多樣能力於一身更需要一套有遠見的培育過程，也需要時間的累積予以造就。本文探究美國藝術育才的策略上對博物管理與策展專業人員的發展和基礎，並分析其因應現今資訊爆炸時代的新方針，在人才培育、教育標準與評估方法的制定，由其經驗的分析中提供對於本國博物管理與策展專業人才培育策略的參考和建議。研究結果主張對於鑑賞能力與統合能力的培養需要在養成教育的基礎奠定工程中提出，包含育才目標的明確訂定、人才養成架構的建立、軟硬體網絡的暢通、資源的統合、資源與資訊公信力的建立、建立產學雙贏的實習機制，及策略合乎國情需要與適當調整等七項建議。

It is time-consuming, but very important, to foster a professional curator to be knowledgeable in a specific field with aesthetic and skillful abilities. This paper examines the principles and standards of the United States educational policies and strategies. After reviewing the cultivation programs in the United States, it is suggested to establish the curriculum for the adaptability of art/design history, skillful craftsmanship, critical thinking, cross-media understanding as well as the ethics of curatorial field. We can ensure the quality of education will meet our needs with education standards. Besides the ability of appreciation and integration capability, seven suggestions are also provided in this study, including the establishment of framework, network flow, the integration of resources, the establishment of credibility, avoiding a mere formality internship, foster a win-win situation between museums/galleries and academia, and the appropriate adjustment of strategy setting.

1. American Association of Museum (AAM). (2012). American Association of Museums constitution and bylaws. Washington, DC: American Alliance of Museums. Retrieved June 19, 2013, from http://www.aam-us.org
2. Art Institute of Chicago (AIC). (2012). Curious corner. Art Institute of Chicago. Retrieved July 30, 2013, from http://www.artic.edu/aic/education/CC/index.html
3. College Art Association (CAA) (2004/2009/2013). Standards and guidelines. New York, NY: CAA..
4. Art Institute of Chicago (AIC). (2013). Mission and history. Retrieved July15, 2013, from http://www.artic.edu/about/mission-and-history/
5. 呂元鐘（2012）。Ahalife.com—Curators 與購物的結合。數位時代網站。發表日期：2012 年7 月18日。取自http://www.bnext.com.tw/article/view/id/23957 Lu, M. (2012). Ahalife.com—Combine curators and shopping. Business Next. Retrieved July 29, 2013, from http://www.bnext.com.tw/article/view/id/23957
6. Association of Art Museum Directors (AAMD) (2013). Salary survey. 2013. Retrieved June 21, 2013, from https://aamd.org/document/salary-survey-2013
7. National Register Publishing (NRP). (2013).Directory of Products. Retrieved June 26, 2013, from http://www.nationalregisterpub.com
8. American Association of Museums=AAM(1992).Excellence and equity: Education and the public dimension of museums.Washington, DC:American Association of Museums.
9. Berelson, B.(1952).Content analysis in communication research.New York, NY:The Free Press.
10. Brooks, L.,Cornelius, A.,Greenfield, E.,Joseph, R.(1995).The relation of career-related work or internship experiences to the career development of college seniors.Journal of Vocational Behavior,46(3),332-349.
11. Committee on Education=EdCom(2005).Excellent in practice: Museum education principles and standards.Washington, DC:American Alliance of Museums (Committee on Education).
12. Eisenhardt, K. M.(1999).Strategy as strategic decision making.Sloan Management Review,40(3),65-72.
13. Elkins, J.(2004).Theoretical remarks on combined creative and scholarly PhD degrees in the visual arts.The Journal of Aesthetic Education,38(4),22-31.
14. Grant, D.(2007).How educated must an artist be?.Chronicle of Higher Education,54(10),B24.
15. Lal Das, D.K.(Ed.),Bhaskaran, V.(Ed.)(2008).Research methods for social work.New Delhi:Rawat.
16. Lee, C. A.,Tibbo, H. R.,Schaefer, J. C.(2007).Defining what digital curators do and what they need to know: the DigCCurr project.Proceedings of the 7th ACM/IEEE-CS Joint Conference on Digital Libraries,Seattle, WA:
17. Lester, J.(1983).A code of ethics for curators.Museum News,61,36-40.
18. Macdonald, S.(Ed.)(2006).A companion to museum studies.Oxford:Blackwell Publishing.
19. Palmer, C. L.,Allard, S.,Marlino, M.(2011).Data curation education in research centers.Proceedings of the 2011 iConference,Seattle, WA:
20. 何飛鵬(2012)。策展人策展什麼？。數位時代，223，62。
21. 佐佐木俊尚、郭菀琪譯(2012)。Curation 策展的時代：「串聯」的資訊革命已經開始！。台北=Taipei:經濟新潮社=Eco Trend Publications。
22. 林平(2012)。策展人的誕生：台灣策展教育的建構和異相。典藏今藝術，241，30-36。
23. 趙郁竹(2013)。策展人：好奇心戰勝一切。數位時代，244

1. 林家華(2021)。觀點革命：探討後設認知理論導入設計科系策展企劃教學之學習歷程與成效。設計學報，26(2)，111-134。
2. 顏惠芸、陳璽敬、林志隆、李仙美(2016)。策展設計之個案研究─以「詩情畫意─仙雲之美油畫習作展」為例。設計學報，21(4)，1-24。