關於齋藤茂吉之長崎體驗

Saito Mokichi's Experience in Nagasaki

10.6183/NTUJP.2013.25.63

太田登(Noboru Ota)

精神風土 ； 長崎體驗 ； 業餘之趣 ； 實相觀入 ； 歌集《つゆじも》 ； spirit and custom ； the experience in Nagasaki ； avocation ； true insight ； poetry anthology Tsuyujimo

台大日本語文研究

25期（2013 / 06 / 01）

63 - 79

日文

日本近代歌人的代表齋藤茂吉，自大正6年到大正10年（1917～1921）之間赴長崎醫學專門學校擔任教授、縣立長崎醫院精神科部長一職。他在長崎的異文化體驗以編年體的方式寫入第三歌集《つゆじも》（昭和21年8月），但是以往並沒有給予此歌集很高的評價。雖然如此，以歌人茂吉的人生史角度來看，上田三四二提到，「《つゆじも》是生為歌人茂吉一個重要的轉折點。不，也可以說是他人生中極大的挫折。不過沒有該挫折就不會有現今的茂吉。」由此可知，在長崎這段期間對茂吉影響極深。換句話說，長崎體驗以及《つゆじも》決定了齋藤茂吉生為近代歌人的生命觀以及短歌觀。本論欲透過其第三本歌集《つゆじも》的作品世界來考察第二歌集的《あらたま》（大正10年1月）所達成的「實相觀入」的短歌寫生論，是否因茂吉居住於長崎時接受精神文化風土而影響之。

The representative of Japanese Modern poet Saito Mokichi was a professor in the Nagasaki Medical College and the minister of psychiatric department from 1917 to 1921. He wrote his third poetry anthology ”Tsuyujimo” in annalistic style in the light of his cultural experiences in Nagasaki but didn't receive a high opinion on it at that time. However, if we see it from perspective of the life of poet Mokichi, according to Ueda Miyoji, ”His poetry anthology ”Tsuyujimo” is an important turn point for poet Mokichi, or we should say it was a big disaster in his life. However, if Mokichi didn't experience such disaster, he won't be the person we know now.” For that matter, we know that the time in Nagasaki did impact him deeply. In other words, the experience in Nagasaki and ”Tsuyujimo” is his view of life and poem as a modern poet. For that reason, the research attempts to investigate whether or not his true insight-based poems in his second poetry anthology ”Aratama” (wrote on January 1921) is influenced by the spirit, culture and custom of Nagasaki where Miyoji lived in accordance with the poems in his third poetry anthology, ”Tsuyujimo”.

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