题名

Achieving Visual Literacy: An Analysis of the Symbolization of Frida Kahlo's Agonized Poetry

并列篇名

增強視覺書寫能力:芙烈達•卡蘿“極苦詩篇”的象徵分析

作者

馬丁•福客(Martin Forker)

关键词

女性 ; 分裂 ; 母親 ; 身分 ; 視覺書寫能力 ; 象徵 ; fragmentation ; identity ; motherhood ; symbolism ; womanhood ; visual literacy

期刊名称

藝術教育研究

卷期/出版年月

18期(2009 / 12 / 01)

页次

127 - 182

内容语文

英文

中文摘要

此論文說明「象徵」對藝術教育的重要性,探討藝術系學生視覺書寫能力以及他們是否具備了解畫作深層含義之能力。本文提供充足的芙烈達•卡蘿(Frida Kahlo)畫作的先前知識,藉此幫助學生建構較好的知識基礎以及發展對藝術品的詮釋能力。因此,本文檢視芙烈達•卡蘿「極苦詩篇」的多重意義象徵。研究結果發現,卡蘿爲減輕她個人之悲劇及極度哀傷的負作用,所以試圖借助凝聚作用來阻止長期分裂的感情。在多次描述小產以及不孕的憂慮中,卡蘿的母親身份象徵,顯露出殘缺不全的自我,她以種族象徵強調自己爲國母的角色。她以完美母親的角色,出現在婚姻關係中,而其丈夫的形象則是幼稚的。臥床期間,她從鏡中的自畫像反映出欲與母親建立親密關係,及證實自己之所以存在的價值。此外,卡蘿對女性身份的「極苦象徵」強調出女性的嬌柔、渴望被愛及被最愛所出賣等,並在飛翔的表徵中強烈表達出對解脫病痛的渴求。

英文摘要

It is argued that the present study is important to art education as it stresses the significance of art students' visual literacy and their ability to comprehend the deeper symbolic meanings within an image. This study provides art students with adequate prior knowledge of Frida Kahlo's artworks to help them form a stronger knowledge-base and to develop their interpretive skills of artworks. Accordingly, this study examines the polysemic symbolization of Frida Kahlo's ”agonized poetry”. The findings show that Kahlo attempted to avert chronic feelings of fragmentation by using cohesive functions in order to reduce the negative effects of personal tragedy and heartbreak. Kahlo's motherhood symbolization reveals her fragmented self as in her numerous depictions of miscarriages and abortions, and in her fears of infertility. Her ethno-symbolization underscores her role of a national motherhood figure. Kahlo adopts the role of the Perfect Mother in her maternal relationship with her infantile-like husband. Kahlo's preoccupation with mirrored self portraits reflects the separation phase with her mother and also underlines her self-affirmation to her existence. Moreover, her agonized symbolization of womanhood underscores her femininity, her desire to be loved, and as a woman betrayed by those whom she most loved. Kahlo's symbolization of flight underpins her desire to be released from her agonized reality.

主题分类 人文學 > 藝術
社會科學 > 教育學
参考文献
  1. Adler, A.(1956).The individual psychology of Alfred Adler: A systematic presentation in selections from his writings.New York:Basic Books.
  2. Alvermann, D. E.,Smith, L. C.,Readence, J. E.(1985).Prior knowledge activation and the comprehension of compatible and incompatible text.Reading Research Quarterly,29(4),315-344.
  3. Avgerinou, M.,Ericson, J.(1997).A review of the concept of visual literacy.British Journal of Educational Technology,28(4),280-291.
  4. Barthes, R.(1957).Mythologies.New York:Hill and Wang.
  5. Block, R.,Hoffman-Jeep, L.(1998).Fashioning national identity: Frida Kahlo in 'Gringolandia.'.Woman's Art Journal,19(2),8-12.
  6. Boyle, F. M.,Vance, J. C.,Najman, J. M.,Thearle, M. J.(1996).The mental health impact of stillbirth, neonatal death, or SIDS: Prevalence and patterns of distress among mothers.Social Science and Medicine,43,1273-1282.
  7. Bransford, J. D.,Johnson, M. K.(1972).Contextual prerequisites for understanding: Some investigations of comprehension and recall.Journal of Verbal Learning and Verbal Behaviour,11,717-726.
  8. Broh, C. A.(1979).Adler on the influence of siblings in political socialization.Political Behavior,1(2),175-200.
  9. Buckley, A. D.,Kenney, M. C.(1995).Negotiating identity: Rhetoric, metaphor and social drama in Northern Ireland.Washington, DC:Smithsonian Institution.
  10. Budrys, V.(2006).Neurological deficits in the life and works of Frida Kahlo.Eur Neurol,55,4-10.
  11. Burke, K.(1957).The philosophy of literary form: Studies in symbolic action.New York:Vintage.
  12. Cassirer, E.(1944).An essay on man.New Haven, CT:Yale University Press.
  13. Chessick, R.(1977).Intensive psychotherapy with the borderline patient.New York:Aronson.
  14. Cixous, H. (Eds.),C. Clement (Eds.)(1986).Newly born woman.Manchester:MUP.
  15. Comisarenco, D.(1996).Frida Kahlo, Diego Rivera, and Tlazolteotl.Woman's Art Journal,17(1),14-21.
  16. Derrida, J.,A. Bass (Trans.)(1982).'differance' in margins of philosophy.Brighton:Harvester Press.
  17. Dienstfrey, P.(1979).Blood and the Iliad: The paintings of Frida Kahlo.Feminist Studies,5(2),367-368.
  18. The art and suffering of Frida Kahlo 1907-1954
  19. Drucker, M.(1991).Frida Kahlo.New York:Bantam.
  20. Du Gay, P. (Eds.),Hall, S. (Eds.),Janes, L. (Eds.),Mackay, H. (Eds.),Negus, K. (Eds.)(1997).Doing cultural studies: The story of the Sony Walkman.London:Sage.
  21. Forker, M.(2007).The role of motherhood symbolization in the conflict imagery of Northern Ireland.Visual Culture & Gender Journal,2,72-87.
  22. Forker, M.(2002).Northern Ireland,Queen's University of Belfast.
  23. Forker, M.,Chang, M. J.(2007).Written responses of Taiwanese art students to Chagall's 'The Birthday.'.Taiwan Journal of Arts,81,71-91.
  24. Forna, A.(1999).Mother of all myths: How society moulds and constrains mothers.London:Harper Collins.
  25. Freud, S.,J. Rickman (Ed.)(1937).A general selection from the works of Sigmund Freud: Psycho-analytical epitomes.London:Hogarth Press.
  26. Friis, R.(2004).The fury and the mire of human veins: Frida Kahlo and Rosario Castellanos.Hispania,87(1),53-61.
  27. Fuentes, C. (Ed.)(1995).The diary of Frida Kahlo: An intimate self-portrait.London:Bloomsbury.
  28. Geller, P. A.,Kerns, D.,Klier, C. M.(2004).Anxiety following miscarriage and the subsequent pregnancy: A review of the literature and future directions.Journal of Psychosomatic Research,56,35-45.
  29. Goffman, E.(1975).Frame analysis.Harmondsworth, Middlesex, England:Penguin.
  30. Grimberg, S.(1989).Frida Kahlo.Dallas, Tx:Southern Methodist University Press.
  31. Grimberg, S.(1993).Thinking of death.Woman's Art Journal,14,44-49.
  32. Grimberg, S.(1990).Frida Kahlo's memory: The piercing of the heart by the arrow of divine love.Woman's Art Journal,11,3-7.
  33. Grimberg, S.,W. Chadwick (Ed.)(1998).Mirror images: Women, surrealism and self representation.Cambridge, MA:Massachusetts Institute of Technology.
  34. Grosz, E.(1990).Jacques Lacan: A feminist introduction.Australia:Allen and Unwin.
  35. Hall, S.(1997).Representations: Cultural representations and signifying practices.London:Sage.
  36. Frida Kahlo: An artist 'in between': Identity and marginality
  37. Herrera, H.(1991).Frida Kahlo: The paintings.New York:Harper Collins.
  38. Herrera, H.(1983).Frida Kahlo: The palette, the pain, and the painter.Artforum,21,60-67.
  39. Herrera, H.(1978).Portrait of Frida Kahlo as a Tehuana.Heresies,1,57-58.
  40. Herrera, H.(1983).Frida: A biography of Frida Kahlo.New York:Harper and Row.
  41. Herrera, H.,W. Chadwick (Eds.),I. Courtivron (Eds.)(1993).Significant others, creativity and intimate partnership.New York:Thames.
  42. Hutchinson, J.(2007).Debate on John Hutchinson's nations as zones of conflict.NANA,13(4),1-28.
  43. Jenkins, N.(1991).Callalilies and Kahlos.Artnews,90,104-105.
  44. Jung, C. G.(1960).The structure and dynamics of the psyche (collected works, Vol.8).Princeton, NJ:Princeton University Press.
  45. Kettenmann, A.(2003).Frida Kahlo 1907-1954.Cologne, Germany:Taschen.
  46. Kirrane, D.(1992).Visual learning.Training and Development,46(9),58-64.
  47. Klein, M.(1945).The Oedipus Complex in the light of early anxieties.International Journal of Psychological Analysis,26,11-33.
  48. Knafo, D.(1996).In her own image: Self-representation in the art of Frida Kahlo and Ana Mendieta.Art Criticism,11(2),1-19.
  49. Koroscik, J. S.(1982).The effects of prior knowledge, presentation time and task demands on visual arts processing.Studies in Art Education,23(3),13-22.
  50. Kristeva, J.(1982).Powers of horror.New York:Columbia University Press.
  51. Lacan, J.,A. Sheridan (Trans.)(1977).Ecrits: A selection.New York:Norton.
  52. Langer, S. K.(1956).Philosophy in a new key.New York:Mentor Books.
  53. Lansky, M.(1992).Fathers who fail.Hillsdale, NJ:Analytic Press.
  54. Leach, E. R.(1958).Magical hair.Journal of the Royal Anthropological Institute of Great Britain and Ireland,88,147-164.
  55. Levi-Strauss, C.(1963).The structural study of myth.Suffolk:Basic Books.
  56. Liszka, J.(1996).A general introduction to the semeiotic of Charles Sanders Pierce.Bloomington, IN:Indiana University Press.
  57. Merewether, C.(1990).Embodiment and transformation in the art of Frida Kahlo.Adelaide, Australia:Finsbury Press.
  58. Mulvey, L.(1982).Frida Kahlo and Tina Modetti (Exhibition catalogue).London:Whitechapel Art Gallery.
  59. Neumann, E.(1955).The great mother.Princeton, NJ:Princeton University Press.
  60. Nixon, M.(1995).Bad enough mother; psychoanalytic study of the use of the body.Contemporary Feminist Art,71,70-92.
  61. Norris, C.(1982).Deconstruction: Theory and practice.London:Methuen.
  62. Oring, S.(2000).A call for visual literacy.School Arts,99(8),58-59.
  63. Paz, O.,L. Kemp (Trans.)(1985).The labyrinth of solitude: Life and thought in Mexico.Harmondsworth, Middlesex, England:Penguin.
  64. Plantinga, C.(1995).A review: Visual "literacy"-image, mind, and reality.Film Quarterly,48(4),60.
  65. Reddy, M.,A. Ortony (Ed.)(1979).Metaphor and thought.Cambridge:Cambridge University Press.
  66. Rivera, D.(1960).My art, my life.New York:Cytadel.
  67. Rummel, J.(2000).Frida Kahlo: A spiritual biography.New York:Crossroad.
  68. Rybarik, F.(1997).Early pregnancy losses.Midwifery Today and Childbirth Education,41,30.
  69. Saussure, F.(1983).Course in general linguistics.London:Collins.
  70. Scheffler, I.(1997).Symbolic worlds: Art, science, language, ritual.Cambridge:Cambridge University Press.
  71. Smith, A.(2001).Nationalism: Theory, ideology, history.Cambridge:Polity.
  72. Smith, A.(1986).The ethnic origins of nations.Oxford:Basil Blackwell.
  73. Souter, G.(2007).Frida Kahlo: Beneath the mirror.New York:Parkstone.
  74. Sperber, D,A. C. Morton (Trans.)(1975).Rethinking symbolism.Cambridge:Cambridge University Press.
  75. Stavropoulos, C. S.(1992).Columbus,Ohio State University.
  76. Tibol, R.,R. E. (Trans.)(1993).Frida Kahlo: An open life.Mexico:University of Mexico Press.
  77. Turner, V.(1967).The forest of symbols.New York:Cornell University Press.
  78. Turner, V.(1982).From ritual to theatre: The human seriousness of play.New York:Performing Arts.
  79. Udall, S. R.(2003).Frida Kahlo's Mexican body: History, identity, and artistic aspiration.Woman's Art Journal,24(2),10-14.
  80. Van Gennep, A.(1960).The rites of passage.London:Routledge.
  81. Vosnaidou, S.,Brewer, W. F.(1987).Theories of knowledge restructuring.Review of Educational Research,57,51-67.
  82. Wolfe, B.(1963).The fabulous life of Diego Rivera.New York:Stein and Day.
  83. Wolff, J.(1983).Aesthetics and sociology of art.London:George Allen and Unwin.
  84. Woodward, K.(1997).Identity and difference: Culture, media, and identities.London:Sage.
  85. Zamora, M.(1990).Frida Kahlo, the brush of anguish.San Francisco:Chronicle.
  86. Hybrid sources of Frida Kahlo
被引用次数
  1. Forker, Martin(2012).Achieving Visual Literacy: Prior Knowledge of Spiritual Symbolism in Modern Art.藝術教育研究,24,111-148.
  2. Forker, Martin(2017).Images of Darkness and Subversion in the Fairy Tale Genre.藝術學報,101,1-56.